Contact
Designed by
Nick McBurney
Photo Credits

Anima (series)
2014

Brains Blown Out in Rio (series)
2013

Distance (Takemitsu)
2013

Coltrane (series)
2013

Untitled (series)
2013

Origin
2011 - 2013

Quartet
2013

Dervish (series)
2012 - 2013

Rhythmic
2012

Light Streak II
2011 - 2012

AV Ingot
2011 - 2012

Hittite
2009 - 2012

Fracture (series)
2009 - 2011

Tension/Balance
2010

The 6 Elements (series)
2010

The Elements
2010

Optical Flip
2010

Pyramid Shift
2010

Don't Tell Don't Ask
2009

What
2009

Meta Angle
2008

Hangul Ash
2008

Pasolini (series)
2007 - 2008

Katana III
1971

Vekso (series)
1971

Acoustical Variation (series)
1970

Tao Te Ching (series)
1968 - 1969

Syntax (series)
2014

KaYaGum (series)
2012

Large Vekso (series)
2012

Grid #4
2008

Sign (series)
2006 - 2008

Nina (series)
2006

Bohdi (series)
2006

Work
2006

Palimpsest Neruda #8
2005

Vekso (series)
1971

Acoustical Variation Origin
1970

Note: All films are silent Super-8 18 fps unless otherwise stated.

Single Reel Films:

Toe First Take
Color, 7 minutes
1989

Nom Du Pere
Color, 6 1/2 minutes
1987

Centurian
Color, 8 minutes
1986

The Cramdens & The Colbys
Color, 8 minutes
1986

Foiled Sequences
Color, 12 minutes (with sound track on cassette tape)
1985

Arizona Short
Color, 10 minutes
1979 - 86

Ice Thaw Wichita
Color, 18 minutes (with sound track on cassette tape)
1978 - 81

Pools
Color and b&w, 15 minutes
1974-79

Fragments of an Escape
Color and b&w, 14 minutes
1974 - 79

Bookmaking/The Scissors Kick
Color, 14 minutes
1977 - 79

Persistence of Vision
Color, 8 minutes
1976 - 79

Strokes
Color and b&w, 4 minutes
1977

Tribeca
Color, 6 1/2 minutes
1977

The Turkish Bath
Color and b&w, 7 minutes
1976 - 85

Turkish Bathing (3rd Version)
Color and b&w, 7 minutes
1976

Turkish Bathing Motion Picture
7 1/2 minutes
1976

Turkish Bathing (4 speeds)
Color, 7 minutes
1976

Two Animations: Winged Victor/Goethals at Panama
Color, 7 minutes
1976 - 77

Release Rescue (Single Reel II)
B&w, 5 1/2 minutes (with sound)
1976

Release Rescues
Sepia and b&w, 15 minutes
1975

Silent Release Rescues
Sepia, 6 1/2 minutes
1975

Wristgrip
Color, 6 1/2 minutes
1975

Painters Painting
Color, 10 minutes
1974

N. E. Barn (Summer)
Color, 3 1/2 minutes
1974

Two Studies: Running/Planning
Color and b&w, 6 minutes
1973-74

Landscapes
Color and b&w, 14 minutes
1973 - in progress

Construction Lot (Northampton)
Color, 6 minutes
1973 - 74

Three Studies in Black and White:
Mahakala/Haircut/Old Manse

B&w, 5 minutes
1973 - 74, revised 1985

Rehearsal of Waterfields II
B&w, 8 minutes (16 mm) Camera: Norm Philips
1974

Concord Bridge
Color, 5 1/2 minutes (8 mm)
1973

In Advance of a Broken Arm
color, 7 minutes
1973

Untitled #2
Color, 7 minutes
1973

Framing #1
Color, 10 1/2 minutes
1973

Extension of Inner-Process
Color, 3 1/2 minutes
1972


Film-Loop cassettes and multiple projections:

Turkish Bathing 16, 33, 45, 78
Four-part loop projection, continuous
1976

Release Rescue
B&w, two simultaneous loop projections, contiuous
1976

Amalgam I b&w, 3 1/2 minutes
Amalgam II color, 3 1/2 minutes
(to be shown as dual projection, side-by-side)

Release Rescue
Sepia, continuous
1975

N. E. Barn (Snowstorm)
Color, dual projection, 3 1/2 minutes (sound track on cassette)
1974

Water Loop
Color, continuous
1973

Reels I color, 15 minutes
Reels II color, 15 minutes
Reels III color, 12 minutes
Reels IV color and b&w, 15 minutes
(to be shown as dual projections, side-by-side, at alternating intervals in any combination)


Slide Projection Pieces:

In the Vicinity of Dodge City
30 color slides with performance/reading
1986

Turkish Bathing Slides Show
160 color slides with audiotape, dual projection
1976 - 85

Phrases and Revisions from Progress Back Stroke
10 b&w slides
1975 - 82

Observing Monet (inside and outside)
40 color slides
1979

Monet's Middle Name
4 color slides with audiotape and color lights
1979

Turkish Bathing: Persona Study
80 mounted negatives
1976

Ivo's Pool
20 Ektachrome slides, dual projection with single b&w slide and audiotape
1976

The Dalton Method (The Importance of Swimming)
39 b&w slides
1974 - 75

Diagonal Line Pattern
10 Ektachrome slides with videotape
1974 - 75

Look Park
20 Ektachrome slides multi-media with Super-8 film and audiotape
1974

Hands Against the Land/Hands Against the Sky
20 Kodachrome slides
1974

Lounge
20 slides with performance/reading
1967-73

Journal 110
140 handwritten and typed slides/vellum, with audiotape, and two b&w slides
1972

The Cadet Jumps Into the Water:
Secular Hermeneutics (Book #2)

Visual Studies Workshop and C.E.P.A.
8 in x 8 in, offset, edition of 300
1987

Two Forms of Aural Impressionism
Privately printed
2 in x 3 in carte de visite, offset, edition of 400
1984

Wherever You Go, Wherever You Are, Consider This:
Secular Hermeneutics (Book #1)

Privately printed
8 1/2 in x 8 1/2 in, 12 pages, offset, edition of 150
1982

A Manual For Painters (Strophic Variations on a Text)
Printed in cooperation with James W. Johnson
8 3/4 in x 8 3/4 in, 12 pages, offset, edition of 200
1980

Primary Details
Privately printed
6 in x 4 in, postcard, offset, edition of 300
1979

Progress Back Stroke
A Swim Text Book
5 1/2 in x 4 in, 20 cards in folio, offset, edition of 50
1979

The Flutter Kick
New Welsh Books
7 in x 2 3/4 in, 70 pages, offset/stamped images, edition of 20
1979

Progress Back Stroke
New Welsh Books
8 1/2 in x 5 1/4 in, 44 pages, offset, edition of 50
1977

Winged Victo r
New Welsh Books
8 1/2 in x 5 1/4 in, 92 pages, offset and wire bound, edition of 30
1976
Revised, 52 pages, edition of 50
1977

The Scissors Kick
New Welsh Books
8 1/2 in x 5 1/4 in, 44 pages, offset, edition of 50
1976
Revised, 52 pages, edition of 50
1977

Learning to Swim (Le Style Francais)
New Welsh Books
8 1/2 in x 5 1/4i in, 44 pages, offset, edition of 50
1976
Revised, 46 pages, edition of 50
1977

Learning to Swim
New Welsh Books
8 1/2 in x 5 1/4 in, 44 pages, offset, edition of 50
1976
Revised, 46 pages, edition of 50
1977

Points
New Welsh Books
11 in x 8 1/2 in, 32 pages, Xerox, edition of 15 (blue cover)
1975
Revised, edition of 20 (white cover)
1980

Curving
Privately printed
11 in x 8 1/2 in, 32 pages, Xerox, edition of 50
1975

Waterfields: A Sculptural Event
Privately printed
11 in x 8 1/2 in, 44 pages, offset, edition of 50
1974

Magazines and Journals:

El Jabali, No. 8
"Seleccion y traduccion: Rolando Costa Picazo"
1998

COVER, Vol. 12, No. 5
"Postcards from Greece"
1998

Neon
Selections from "Propane Zits: Road Work on Rt. 88"
Spring/Summer 1993

Moody Street Irregulars, Numbers 22 & 23
Winter 1989-90

Moody Street Irregulars, Number 18
Clarence Center, New York
Summer 1987

Delaware Literary Review, Number 4
University of Delaware, Newark
1975

The Island, Issue No. 6
Memorial Hall, Harvard University, Cambridge, Massachusetts Spring 1967

Boston Spectator, Volume 1, Number 5
December 1966

The Cambridge Scene
Cambridge, Massachusetts
1966

The Literary Magazine of Tufts University, Volume 1, Number 1
Winter 1966


Anthologies:

Matters
Noritoshi Hirakawa, Deitch Projects, New York City and Zeno X Gallery, Antwerp, Belgium
1988 - 1997

Art For All: Opere Moltiplicate su Carta
Comune di Roma: Diagonale (curated by Federica Di Castro with drawing by Marzia Gandini)
1996

New Dimensions: An Anthology of Modern Poetry
San Francisco: Idlewild (edited by H. M. Rosenberg)
1967

Syntax II
Galeria Il Ponte, Florence, Italy
May 30 - June 27, 2014

The Swimming Lessons (1981)
Translating Duchamp's Green Box

Rooster Gallery, New York City
November, 2013

Metaphysical Paintings, 2011-13
Able Fine Art, New York City
October, 2013

Syntax
Creon Gallery, New York City
May 2013

Light Streak II
Able Fine Art, Seoul, Korea
July - August, 2012

Light Streak
Sideshow Gallery, Brooklyn, New York
October, 2010

Robert C. Morgan, 1970-2009
Sideshow Gallery, Brooklyn, New York
April 4 - May 3, 2009

Bjorn Ressle Gallery, New York City
April 18 - May 23, 2009

Wooster Arts Space, New York City (organized by Denise Green)
December 6 - December 29, 2007

"The Turkish Bath Films," 1976
Anthology Film Archives, New York City
1996

Butters Gallery, Portland, Oregon
1993

Daniel Newburg Gallery, New York City
1992

Stark Gallery, New York City
1992

Nerlino Gallery, New York City
1989-90

Nerlino Galley, New York City
1989

Millennium Film Workshop, New York City
1988

White Columns, New York City
1987

C.E.P.A., Buffalo, New York
1987

Millennium Film Workshop, New York City
1985

Printed Matter, New York City (selected by Lucy Lippard)
1984

University of Texas of the Permian Basin, Odessa, Texas
1982

Washington Place Artists Gallery, NYU, New York City
1981

McKissick Museums, University of South Carolina, Columbia
1981

Reuben Saunders Gallery, Wichita, Kansas
1980

Artists Space, New York City (organized by Helene Winer)
1977

Walker Street Gallery, New York City,
1975-76

Herter Hall Gallery, University of Massachusetts, Amherst
1975

Mezzanine Gallery, Boston City Hall
1973

Concourse Level, Boston City Hall
1972

Suffolk University, Boston
1972

Cafe Vesuvio, San Francisco
1970

Able Fine Arts, New York City
February, 2012

National Arts Club, New York City
May 2010

New York Salon
Bjorn Ressle Gallery, New York City
December 2008

Finite in/finite
Amelie A. Wallace Gallery, SUNY College of Old Westbury, New York (curated by Hyewon Yi)
Works by Anjali Deshmukh, Adrian McDonald, and Robert C. Morgan
November 1 - December 6, 2007

Lit. Fig. - Work from Words
The Space @ Media Triangle, New York City (curated by L. Brandon Krall)
April 1 - May 1, 2000

Where There's Smoke . . .
South Texas Institute for the Arts, Texas A & M University, Corpus Christi, Texas (curated by Patrick Brady)
June 23 - September 3, 2000

Re: Duchamp
Abraham Lubelski Gallery, New York City (curated by M.Bidlo)
November 24 - December 12, 1998

Possessions II
Visual Arts Museum, School of Visual Arts, New York City
1997

Exposition des Autoportaits Mail Art
Galerie Observatoire, Montreal, Quebec, Canada
1996

The Turkish Bath Films
Anthology Film Archives
June - August, 1996

Mailart Prehistory
Catalog Comune di Forli, Italy
1996

Critics as Artists
Andre Zarre Gallery, New York City
April 4 - May 6, 1995

Lo Specchio di Proteo
Catalog with essay and photographs
Centro Espositivo della Rocca Paolina, Alessandria, Italy
July 30 - August 20, 1994
Palazzo Guasco, Alessandria, Italy (both curated by Marisa Vescovo)
September 15 - October 10, 1994

Old and New Masters of Super-8, IV
Screening and panel participant
Antholoy Film Archives, New York City (curated by Barbara Rosenthal)
April 1994

Eroticism
Galerie 1900-2000, Paris, France
July 1994

Art and Virus
Catalog (text by Lucilla Sacca)
Gallery Yaki Kornblit, Amsterdam, Netherlands
May 28 - June 29, 1994
Galleria del Ventaglio Arte Contemporanea, Udine, Italy
June 11 - July 11, 1994

Blast Art Benefit
TZ'Art & Company Gallery, New York City
April 29 - May 3, 1994

Diatribe
Tomoko Liquori Gallery, New York City (curated by Max Estenger)
December 14 - 18, 1993

Building Plans & Schemes
Catalog with statement
Orde Van Architecten Limburg, Architectuurwijzer, Cultuurcentrum Heusden-Zolder, Belgium (curated by Guy Bleus)
1993

My Home is Your Home (4th Construction in Process)
Sponsored by the Artists Museum, Lodz, Poland
October 1 - 7, 1993

The Return of the Cadavre Exquis
A collaboration with Joseph Nechvatal and Carolee Schneemann
The Drawing Center, New York City
November 6 - December 11, 1993

BLAST: Remaking Civilization
Published by X-Art Foundation (limited box edition)
Fall 1993

As Above, So Below
Elga Wimmer Gallery, New York City
September - October 1993

Monumental Propaganda
World Financial Center, New York City (organized by Independent Curators, Inc. with Komar and Melamid)
July 22 - October 3, 1993

Construction in Process IV
The Artists' Museum benefit, Stark Gallery
1993

Action/Performance and the Photograph
Catalog with essay
Turner/Krull Gallery, Los Angeles, California
1993
Traveling exhibition (organized by Curatorial Assistance, Inc.)
1995 - 2000

Blast Art Benefit
Catalog
The X-Art Foundation, New York City
1993

Critical Quest (i giochi di ruoio della critica)
Catalog
Via Farini, Milan, Italy (organized by Alessandra Galletta and Marco Senaldi)
June 7 - July 9, 1993
Traveled to Spiral Garden, Tokyo, Japan (organized by Hiroko Seki)
June 1 - 12, 1994

Exposicion de Arte Postal
Catalog
Barcelona, Spain (organized by Pere Sousa)
1993

Arthur Rimbaud Centenary
Association Limousine de Cooperation pour le Livre, Limoges, France
1992

Conversations
Works by Bruce Conner, Tony Delap, John McLaughlin, and Robert C. Morgan
Jan Turner Gallery, Los Angeles, California
1992

Quotation
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut and the Dayton Arts Center, Dayton, Ohio
1992

Volumination: The Book as Art Object
Ulrich Museum of Art, Wichita State University, Kansas
October - November 1992

A Quinientos Anos de la Llegada de Colon a America (MAIL-ART)
Catalog with photograph
Sala de Exposiciones de la Escvela de Artes Aplicades, Soria, Spain
December 1990 - March 1991

Mail-Art
Catalog
Casa de Cultura de Elbar, Guipúzcoa, Spain
1991

The Post-Dialectical Index
Galeria del Ventaglio, Udine, Italy
April 17 - May, 1993
Horodner Romley, New York City (both curated by Robert C. Morgan and Maria Campitelli)
June 15 - July, 1993

Jours Tranquelles a Clicy
40 rue de Rochechouart, Paris, France (curated by Allain Kirili)
1992

Works on Paper (benefit)
Stark Gallery
Summer 1992

Pools
Aspen Art Museum, Aspen, Colorado
1992

Mssr. B's Curio Shop
Catalog
Thread Waxing Space, New York City (curated by Saul Ostrow)
1992

Excess in the Techno-Mediacratic Society
Musee Serrat et Groton, Ville d' Arbois, France (curated by Joseph Nechvatal)
June - September 1992 (atalog essays by Robert C. Morgan, Joseph Nechvatal and Tobey Crockett)
Traveled to Galerie Krinzinger, Vienna, Austria
February 9 - March 10, 1993
and Shoshana Wayne Gallery, Los Angeles, California
July 24 - September 5, 1993

Erotiques
Galerie A.B., Paris, France (curated by Michele Blondel and Veronique Maxe)
1992

BLAST Art Benefit
Catalog
568 Broadway, New YorkCity
1992

Ecstasy
Dooley Le Cappellaine Gallery, New York City
1992

Faculty Exhibition
Higgins Hall, Pratt Institute, Brooklyn, New York
1991

Diversite Photographique
Galerie 1900-2000, Paris, France
December 5 - 28, 1991

La Posta in Gioco
Catalog
Uffizi, Sala delle ex-Reali Poste, Firenze, Italy (curated by Gianni Broi)
November 15 - 28, 1991

Art is Books
Provinciale Centrale Openbare Bibliotheek, Limburg, Belgium
1991 (catalog)

After Duchamp
Galerie 1900 - 2000, Paris, France
1991 (catalog)

Pools
Stuart Levy Gallery, New York City
1991

Artists' Books
Lorence-Monk Gallery, New York City
March 1991

Group Show
Ulrich Museum of Art, Wichita State University, Kansas
1990-91

The Point is Made
Butters Gallery, Portland, Oregon
January 1991

Towards the Lens
ART Cologne (represented by Galerie 1900 - 2000, Paris, France)
November 15 - 21, 1990

Emerging Art 1990
New Jersey State Museum, Trenton, New Jersey
November 3 - December 16, 1990

New Directions
Works by Kolbowski, Morgan, Noble, Weatherford, and Ziello
S. Bitter-Larkin Gallery, New York City (curated by Sam Hunter)
1990

Odalisque
Jayne Baum Gallery, New York City
1990

Sex and Language
Garnet Press Gallery, Toronto, Ontario, Canada (curated by Chrisanee Stathacos)
1990

Anne, Ma Soeur Anne
Galerie Antoine Candau, Paris, France
1989

Preview
Nerlino Gallery, New York City
1989

Studio Exhibition
Catalog with artist's statement
P.S. 1, Long Island City, New York
1989

The Spectacle of Chaos
River North Gallery District, Chicago, Illinois (curated by Klaus Ottman)
September - October 1989

Recycled Imagery
Pyramid Arts Center, Rochester, New York
1989

Emulsion
Nerlino Gallery, New York City
1988

International Artists' Book Exhibition
Musee Roi Saint Etienne, Szekesfehervar, Hungary
1987

Update 1986-87
White Columns, New York City (curated by Bill Arning)
1987

4th Annual Upstate Invitational
Pyramid Arts Center, Rochester, New York
1987

Super-8mm Program/Retrospective 2
Millennium Film Workshop, New York City (curated by Howard Guttenplan)
1987

More Static, Electrostatic
Pyramid Arts Center, Rochester, New York (curated by Antonio Petracca)
1986

Artists Books
Catalog
Bibliothek und Informationssystem Der Universitat Oldenburg, Germany, (curated by Dr. Klaus Groh)
1986

Juried Small Works
City Without Walls, Newark, New Jersey (juried by Stefan Eins)
1986

Artists Films
White Columns, New York City (organized by L. Brandon Krall)
1986

Spiritual America
Publication
C.E.P.A., Buffalo, New York
1986

Beyond Words: The Art of the Book
Catalog
Memorial Art Gallery, University of Rochester, New York
1986

Hundreds of Drawings
Artists Space, New York City
1984

The Apocalyptic Vision: Four New Imagists
Catalog Galleri Bellman, New York City (curated by Sam Hunter)
1983

Artists Call
Judson Memorial Church, New York City
1984

Book Art - Bookworks - Bookobjects
Hvidoure Kunstbibliotek, Denmark (organized by Niels Lomholt)
Traveling exhibition, 1983-84

Falling Annual Livingroom Video Festspiel, 83
ABC - Bildtechnik, Denmark
1983

Phenomenal Projects
10 on 8, New York City (curated by Robert Costa)
1983

In Other Words
Franklin Furnace, New York City (curated by Robert Barry)
1983

Artists' Books: A survey 1960-1981
Catalog
Ben Shahn Center, William Paterson College, Wayne, New Jersey
1982

Notizie di Lavoro D'Artists No. 1
Arnaldo Esposto, Genova, Italia
1981
Notizie di Lavoro D'Artists No. 15 and 16
1982

Libres D'Artista/Artist's Books
Metronom, Barcelona
1981

Art Faculty
College of Fine and Applied Arts, Rochester Institute of Technology, Rochester, New York
1982 - consecutive years

Art Faculty Biennial, Wichita State University
Ulrich Museum of Art, Wichita, Kansas
1981

Permanent Collection: Artists Books
Museum of Contemporary Art, Chicago, Illinois
1981

Works on Paper
Century II, Wichita, Kansas
1980 - 81

Notizie di Lavoro D'Artists No. 9
Arnaldo Esposto, Genova, Italia
1981

Artists and Books: The Literal Use of Time
Ulrich Museum of Art, Wichita, Kansas
1979 - 80

Art Faculty Biennial, Wichita State University
Ulrich Museum of Art, Wichita, Kansas
1979

Foire Internationale d'Art Postal Audiovisuel
Galerie Lara Vincy, Paris, France
1979

Artists' Books, USA
Independent Curators, Washington, D.C., 1978-80 (traveling exhibition). Curated by Peter Frank (catalog)

Assembling Assembling
Book and catalog
Pratt Graphics Center, New York City (organized by Richard Kostelanetz)
1978

Artwords and Bookworks
Catalog Los Angeles Institute of Contemporary Art, California
1978

Xerox, Xerox, Xerox
Department of Art, University of Colorado, Boulder
1977

Artists' Notebooks, Plans, Scripts, and Scores
Franklin Furnace, New York City (curated by Jacki Apple)
1977

Books, Prints, and Photographs
Catalog
Davis Art Center, University of Akron, Ohio
1977

The Artist's Book
Catalog
Mandeville Art Gallery, University of California, San Diego
1977

Artists' Super-8 Films
Artists Space, New York City (curated by Helene Winer)
1977

Toronto Super-8 Film Festival
Toronto, Ontario, Canada
1976

Faculty Exhibition, New York University Art Department
80 Washington Square, East Galleries, New York City
1976

5 Boston Conceptual Artists
Works by Bruce Andrews, Don Burgy, Douglas Huebler, Jay Jaroslav, and Robert C. Morgan
Institute of Contemporary Art, Boston, Massachusetts (curated by Paul McMahon)
1974

Indian Summer
Work by Paul McMahon, Matt Mullican, Robert C. Morgan, David Salle, and Jim Welling
Project, Inc., Cambridge, Massachusetts
1974

Interventions in Landscape
Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts
1974

Boston Visual Artists Union
Boston Center for the Arts, Boston, Massachusetts
1973

The Future of Art in a Learning Context
Gutman Library Media Center, Harvard University, Cambridge, Massachusetts
1973

Purgation of Nike
The Lab Gallery, New York City
September 2010

Film Survey
Millenium Film Workshop, New York City
2006

The Turkish Bath
Film Archives, New York City
2000

Big As Life: An American History of 8mm Films
Turkish Bathing and The Turkish Bath (1976)
Museum of Modern Art, New York City (curated by Jytte Jensen and Steve Anker, screening in Time Warner Theatre)
February 4, 1999

Estirando Lo Intime (Stretching the Intimate)
Centro de Artes y Comunicacion Salar, La Paz, Bolivia
1998

Release Rescue
Films by Morgan, Rosenthal, Creston, Cerejido, and Pierre Louaver
Art Nation, New York City
January 20, 1999

Ecstasy
Films by Morgan, Price, Liotta/Eros, and Creston (curated by Robert C. Morgan)
March 11, 1992

Release Rescue
Film screening at Elston Art Center, New York City
January 24, 1992

Old and New Masters of Super-8
Anthology Film Archives, New York City (organized by Barbara Rosenthal)
March 1992

Old and New Masters of Super-8
Speaker and catalog
Anthology Film Archives, New York City (organized by Barbara Rosenthal)
April 12-13, 1991

Early films of Ken Feingold and Robert C. Morgan
Atelier 71 (organized by Renato Micelli)

Films of the Beat Generation
5-8 films and panel participant
Hallwalls, Buffalo, New York (organized by Tim Madigan)
1990

Journal 110 (1972)
The Clocktower, New York City
March 23, 1989

Super 8 Films and Projection Pieces by Robert C. Morgan
Pyramid Arts Center, Rochester, NY
February 17, 1989

Projections and Shadows
Turkish Bathing Slide Show (80 slides projected continuously)
McGovern's Bar and Gallery, New York City (curated by Barry V. Miller)
1987

Circuit Breakers
Arizona Short and Release Rescue, Single Reel II (with Bongo Accompaniment)
Sponsored by Writers & Books and Pyramids Arts Center, Rochester, New York
1986

Appendages (Bongo Circle Event IV)
Mail Art Performance Party, Academy of Arts, Kassel, F.R.G.
1985

Optical Anger (Le Bain Turc) Ingres Optique/Depuis Duchamp Window installation/80 slides projected continuously
Galleria dell' Occhio, New York City
1982

Swimtext (sound performance/reading w/slides) and Painters Painting (Super-8 film)
Writers & Books, Rochester, New York
1982

Two Evenings of Super-8 Films and Conceptual Works: 1972-81
Reuben Saunders Gallery, Wichita, Kansas
November 18 & 23, 1981

Journal 110 (revised Slides/audiotape) and Progress Back Stroke (reading performance/audiotape/film-loop)
Franklin Furnace, New York City
1977

Release Rescues (Super-8 films) and Locations (live video-performance)
Assisted by Paul McMahon, Janice Gabriel, and John Sanborn Artists Space, New York City
1976

Performances: Four Evenings, Four Days
Translocations (choreographed performances/audiotape/slides) (assisted by the Washington Square Repertory Dance Company with technical assistance by John Sanborn)
The Whitney Museum of American Art, New York City
1976

Diagonal Line Pattern (video and slide projection)
Project, Inc., Cambridge, Massachusetts
1975

Sound Translocation (audiotape installation)
Student Activities Center, University of Massachusetts, Amherst
1975

Waterfields III (choreographed event in swimming pool)
Sunset Canyon Recreation Center, U.C.L.A. (organized through the Department of Art, U.C.L.A.)
1974

Waterfields (choreographed event in swimming pool)
North Pool, University of Massachusetts, Amherst
1974

50/50 (Learning to Swim) (choreographed solo performance with audiotape)
OK Harris, New York City
1974

Exposure: Objects/Events
Amalgam (choreographed solo performance with audiotapes)
Institute of Contemporary Art, Boston
1973 (catalog)

Bongo Circle Event III (choreographed event/audiotape) Boston Center for the Arts, Boston, Massachusetts
1973

Parallel Points Seen Through Glass (video/performance) and Lounge (1967) (slides/narration)
M.I.T., Cambridge, Massachusetts (assisted by Barbara Hero and sponsored by the Boston Visual Artists Union)
1973

3 Other Events (performance with audiotapes)
Project, Inc., Cambridge, Massachusetts (curated by Paul McMahon)
1972

Process for Swimmers and Brass (choreographed event)
Linsey Pool, Brandeis University (assisted by members of the synchronized swim team at Brandeis University and sponsored by the Rse Art Museum)
1972

2 Events: Journal 110 (slides/audiotape) and Clap (choreographed event)
Massachusetts College of Art, Boston, Massachusetts
1972

An Extension of Inner-Process (10-day solo performance)
Institute of Contemporary Art, Boston, Massachusetts
1972

Robert C. Morgan is an internationally renowned art critic, curator, artist, writer, art historian, poet, and lecturer. He holds an MFA in Sculpture from the University of Massachusetts, Amherst (1975), and a Ph.D. in contemporary art history from the School of Education, New York University (1978). Dr. Morgan lives in New York, where he lectures at the School of Visual Arts and is Adjunct Professor in the graduate fine arts department at Pratt Institute in Brooklyn. He is Professor Emeritus in Art History from the Rochester Institute of Technology.

Robert Morgan is the author of more than 2800 essays and reviews, and is contributing editor to Sculpture Magazine, Asian Art News, The Brooklyn Rail, and New York correspondent for Art Press (Paris). His books include Conceptual Art: An American Perspective (McFarland, 1994), Art into Ideas (Cambridge University Press, 1996), Between Modernism and Conceptual Art (McFarland, 1997), The End of the Art World (Allworth, 1998), Gary Hill (Johns Hopkins, 2000), Bruce Nauman (Johns Hopkins, 2002), Clement Greenberg: Late Writings (University of Minnesota, 2003), Vasarely (Braziller, 2004), and The Artist and Globalization (Lodz, 2008). His writings are translated into 17 languages, including Chinese, Korean, Japanese, Indonesian, Serbian, Hebrew, Farsi, and Finnish.

Since 1979, Dr. Morgan has curated over 76 exhibitions in the various museums, cultural spaces, and galleries in the United States and abroad. In New York, Dr. Morgan curated “Logo Non Logo” (with Pierre Restany, Thread Waxing Space, 1994), “The Gesture: Movement in Painting and Sculpture” for Neuhoff Gallery (2002), “The Sign of Paradise” for Mike Weiss Gallery (2005), “Neutral” (2005) for the Lab Gallery, “Silent Exile” for 2 X 13 Gallery (2006), "The Optical Edge" for Pratt Manhattan Gallery (2007), and “Hong-wen Lin” for the Taipei Cultural Center (2009). In 2015, Dr. Morgan will curate “The Art of Wei Jia,” for the NanHai Gallery in Millbrae, California (February – March 2015).

Robert Morgan was the first recipient of the Arcale awarded in international art criticism in Salamanca, Spain (1999) and the first Critic-in-Residence at the Art Omi International Artists Workshop (1992) in Ghent, New York. He had been a recipient of the National Endowment for the Humanities (1980, 1986, 1987), a Rockefeller/NEA grant (1988), and a Francis Greenburger Fellowship (1993). In 2005, he was awarded an Edward Albee Fellowship and a Fulbright Fellowship as a senior scholar to research “The Traditional Arts and the Korean Avant-garde” in the Republic of Korea. In 2008, he received a research grant from the Emily Harvey Foundation in Venice, Italy. He has been invited to lecture at several Biennials and Art Fairs, including Gwangju (2000, 2004), Shanghai (2002 and 2012), Lodz (2004, 2006), Asian Conemporary Art Fair (2006, 2008), Tehran Sculpture Biennial, the Islamic Republic of Iran (2007), Singapore Art Fair (2008), and Istanbul Biennial (2009).

As an artist, he has shown in many solo and group exhibitions. They include the ICA, Boston (1972), The Whitney Museum of American Art (1976), Franklin Furnace, NYC (1976), Artists Space, NYC (1976, 1977), McKissick Museum, University of South Carolina (1980), White Columns (1983), Printed Matter (1984), Cologne Art Fair (1990), Antoine Candau, Paris (1990), Eric Stark Gallery (1992), Construction in Process, Lodz (1993), Nine Gallery, Gwangju (2006), Gaya-Fusion. Ubud, (Republic of Indonesia (2006), Amelia Wallace Gallery, SUNY Old Westbury (2007), Wooster Art Space (2007), Bjorn Ressle, NYC (2009), Sideshow, Brooklyn (2009), and The Lab Gallery, NYC (2009). His work has been reviewed by Art in America, The New York Times, Arforum, Art News, The Brooklyn Rail, artcritical.com, art.net, and Wolgan Misool (Korea). His works are included in several public and private collections.

How Do You Do It?
Interview by Jason Stopa, On-Verge
February 2014

Who's Afraid of Red Yellow and Blue
Interview by Jeffrey Collins
June 2013

Robert C. Morgan Book Launch
SinoVision
March 2013

Elegant Systems: Robert C. Morgan on his work
Interviewed by Elizabeth D'Ambrosio, ArtCritical
December 2010

Robert C. Morgan with Phong Bui
Interviewed by Phong Bui, The Brooklyn Rail
July - August 2009

Interview with Robert C. Morgan
Interviewed by Jan Van Woensel, White Hot Magazine
November 2007

In Conversation with Robert C. Morgan
Interviewed by Joan Waltemath, The Brooklyn Rail
March - April 2002

Robert Morgan at Bjorn Ressle
Artnews
November 2011

Robert C. Morgan
Art in America
October 2008

Where There's Smoke
South Texas Institute for the Arts
September 2000

Sand/Floor Piece photograph
New Observations #118
1998

Ghirlandaio Tondo with Open Space (detail) reproduction
NY SoHo Biennial, New York City
Catalog with 2-page entry
1995

Interview with Robert C. Morgan
Anne Barclay Morgan, ART PAPERS, Vol. 18, No. 1
January - February 1994

Supermodern Art
Eileen Weitzman, Artwords: The Past, Vol. II, Number 1
Fall 1993

Every Room Has A View
Rosie Millard, The Independent, London, England
March 5, 1993

On the Scene
ARTSPACE, Los Angeles, California
March - April 1993

Mutiny and the Mainstream
Judy Seigel, Midmarch Arts Press, New York City (pages 283-284)
1992

Butters Exhibits Portland's Hippest Art photograph
Randy Cragg, The Sunday Oregonian
January 6, 1991

Photograph of the Artist
Carlo Prosperi (editor), The Faces of an Era (Visages d'Une Epoque), Collection EPOCA
1990

New Directions
Sam Hunter, Bitter-Larkin Gallery, New York City
1990

Interview with Robert Morgan
Jamie Ellen Forbes, Sunstorm Arts Magazine (pages 26-29)
September / October 1989

Art
Vivian Raynor, The Sunday New York Times (Connecticut Section)
June 18, 1989

New York in Review
Robert Mahoney, ARTS
May 1989

Sex and Language
C Magazine, Toronto, Ontario, Canada
Summer 1990

Robert Morgan at Nerlino Gallery photograph
Peggy Cyphers, COVER, New York City
March 1989

Neo-Neo photograph
Robert Meyerowitz, City Newspaper, Rochester, New York (page 15)
February 16, 1989

Robert Morgan: The Icon and the Text catalog brochure
Klaus Ottmann, The Necessary Dialectical Artist, Nerlino Gallery, New York City
February 4 - March 1, 1989

Review: The Cadet Jumps Into the Water: A Psycho-Political Allegory For Our Time
Umbrella, Vol. 10. No. 2
December 1987

Robert C. Morgan: Photoworks, 1972-82 cover photograph
Gary Nickard, C.E.P.A. Quarterly, Vol. 2, Issue 3 & 4
Spring / Summer 1987

Benny 'Kid' Paret photograph
Collins & Milazzo New Observations #46 March 1987

The Artists Deconstruct and the Viewer Fills in the Blanks
The Buffalo News
June 6, 1986

The Art of Judging Draws Some Bitter Criticism
Anthony Cardinale, Buffalo Evening News
February 1986

From Magic Lantern to Modern Form: Some Historical Notes on a Maverick Medium
John Bloom Bloom and Finley, The Magic Lantern, San Francisco Cameraworks, San Francisco, California
1986

Art Agenda
Ron Netsky Sunday Democrat and Chronicle Rochester, New York
February 17, 1986

Review: The Un/Necessary Image
Marshall Reese, Art Journal, edited by Muntadas and Peter D'Agostino
Fall 1985

Art Agenda
Ron Netsky, Sunday Democrat and Chronicle, Rochester, New York
December 1, 1985

Book Review: The Un/Necessary Image
Buzz Spector, Exposure: 21/3
1984

New York Reviews
Nancy Princenthal, ARTnews
September 1983

Art Reviews
Thomas Lawson, Artforum
September 1983

The Apocalytic Vision
David Craven, Arts
September 1983

Introduction
Sam Hunter and Galleri Bellman, The Apocalyptic Vision, New York City
1983

Art
Grace Glueck, The New York Times
June 24, 1983

The Paintings of Robert Morgan illustrations
Laura Stewart, The Apocalytic Vision: Four New Imagists, (curated by Sam Hunter and Galleri Bellman) New York City
1983

Art
Grace Glueck, The New York Times
March 11, 1983

Radio Art
Alexandra Anderson, Portfolio
March - April 1982

RIT's Influence Shows in Area Galleries
Susan Peters, City Newspaper, Rochester, New York
January 28 - February 3, 1982

After Photography
Douglas Davis Village Voice
April 1 - 7, 1981

Lew Thomas' Library
Joan Murray, Artweek
August 1980

Artists Work: A Mathematical Concept in Time
Dorothy Beldon, The Wichita Eagle
February 15, 1980

Artwords and Bookworks catalog essay
Judith Hoffberg, Los Angeles Institute of Contemporary Art, California
1978

Homespun Versions of Mass Media
Walter Robinson, Art-Rite #19, (issue combined with journal) Los Angeles Institute of Contemporary Art, California
June - July 1978

(Alternative) Best Sellers
Soho Weekly News
November 3, 1977

Performance Diary
Peter Frank, Soho Weekly News
March 18, 1976

Learning Your ABC's
John Perreault, Soho Weekly News
January 15, 1976

Cold Walls and Warm Sound
Tyla L. Michelove, Below the Salt, Vol. 3, Issue 4, University of Massachusetts, Amherst
February 20, 1975

Conceptual Art at Project, Inc.
Richard Burgin, Boston Globe
September 17, 1974

An Evening with Robert Morgan
Gerry Clow, Boston Globe
February 3, 1973

Summerthing Stresses Art as Ecology
Robert Taylor, Boston Sunday Globe
August 12, 1972

Pool Gives Artist Fluid Canvas
Gerry Clow, Boston Sunday Globe
May 21, 1972

China Symposium #5: Emerging Consensus
The Armory Show
March 8-9, 2014

Connoisseurship In The Era Of Globalization
New York Studio School
2010

Panel Celebrating Black History Month
Florence Lynch Gallery, New York City
2001

Forum de l’Essai sur l’Art
Les Rencontres Place Publique, Paris, France
January 20, 2001

The Writing of Art Criticism
Symposium with Donald Kuspit and Dorothea Walker
The Irish Museum of Fine Arts, Dublin, Ireland
September 2000

Formalism After Postmodernism and Subjective Utopia in Art
Seminars at the University of Buenos Aires
Centro Cultural Ricardo Rojas, Buenos Aires, Argentina
May 2000

Man + Space in the New Millennium
Symposium at KwangJu Biennial 2000
April 21, 2000

Why the End of the Art World?
A lecture series to promote The End of the Art World (New Yoirk: Allworth Press, 1998)

Locations:
Holly Solomon Gallery, New York City - January 14, 1999
The Roger Smith Hotel, New York City - January 21, 1999)
School of Visual Arts Amphitheatre, New York City - March 25, 1999
Small Press Book Fair, New York City - March 27, 1999
Barnes & Noble: Astor Place, New York City) - March 29, 1999
Barnes & Noble: San Francisco, California - August 24, 1999
Barnes & Noble: Berkeley, California - August 25, 1999

Marcel Duchamp and Postmodernism and Art Beyond the Mainstream
Seminars at the University of Buenos Aires, publication in Spanish (Eudeba y Centro Cultural Rojas, 2000)
Centro Cultural Ricardo Rojas, Buenos Aires, Argentina
April 1998

Dialogue with Audrey Flack
Artists Talk on Art series
Phoenix Gallery, New York City
March 13, 1998

Do Aesthetics Matter?
With Arthur Danto, Karen Wilkin, and Ronnie Lanfield
The Art Students League of New York, New York City
January 14, 1998

Interview with John Weber
Art/Omi, Ghent, New York
July 1998

Dialogue with Arnold Mesches
Artists Talk on Art series
Fulcrum Gallery, New York City
February 14, 1997

Photographism (in Painting)
With Freya Hansell, Fabian Marcaccio, David Row, and Gwenn Thomas
Pratt Institute, Brooklyn, New York
November 1, 1996

Verbal and Visual Metaphor moderator
With Cyrilla Mozenter and J. Abbott Miller
Writing the Arts conference
Pratt Institute, Brooklyn, New York
June 7, 1996

Kinesis
Panel with R.M. Fischer, Mary Miss, and Richard Kostelanetz
ARTRAX, New York City
June 14, 1995

Construction in Process: Co-Existence
Panel
Artists Museum, Mitzpe Ramon, Israel
April 20, 1995

Dialogue with Pierre Restany on “Logo Non Logo” exhibition
Thread Waxing Space, New York City
November 19, 1994

Dialogue with Leon Golub
Artists Talk on Art series
Fulcrum Gallery, New York City
October 28, 1994

Interview with Charlie Finch
Artbreaking
WBAI, New York City
September 8, 1994

Who is an International Artist?
With Dan Cameron
ART/OMI
July 1994

Art into Society/Society into Art
International Center for Advanced Stduies in Art and New York University, Tisch Hall
1994
Conference with visiting professors of art from Marseille, Frace
Pennsylvania Hotel, New York City
April 1994

Painting Out of Fashion moderator
With Stephanie Rose, Marjorie Welish, Frank Gilette, and Arnold Mesches
E. M. Donahue Gallery, New York City
November 18, 1993

Taste, Class, and Ideology: The Crisis in Aesthetic Judgment moderator
With Michael Brenson, Klaus Kertess, and Suzane Anker
School of Visual Arts, New York City
November 16, 1993

Interview with Charlie Finch
Artbreaking
WBAI, New York City
December 2, 1993

Fluxus Territories: Navigating in a Conceptual Country respondent
With Estera Millman, Allan Kaprow, and Owen Smith (organized by Simon Anderson)
Mary and Leigh Block Gallery, Northwestern University, Chicago, Illinois
October 30, 1993

Introduction for Arturo Schwarz - Surrealist Political Commitment and Aline Gagnaire’s Artistic Involvement
The Great Hall, Cooper Union, New York City
June 1, 1993

Nothing Modern moderator
With Dan Cameron, Holly Solomon, and Terry R. Myers
ART/OMI
July 23, 1993

Interview with Molly Barnes
KPFK, Los Angeles, California
November 26, 1992

Supermodernism
Four Lectures/Discussions conceived by Robert C. Morgan
Thread Waxing Space, New York City

1. The Problem of Criteria: Re-evaluating Quality Within a Changing Social Context
With Clement Greenburg
November 14, 1992
2. Puritan Sexuality in America: Its Consequences in Some Recent Art
With Deborah Kass and Eleanor Heartney
November 20, 1992
3. Formalism and Conceptual Art
With Donald Kuspit
December 3, 1992
4. Inwardness, Homelessess, and the Multi-Cultural Environment
With Lois Nesbitt and Joshua Dector
December 10, 1992

Representation in Abstraction moderator
With Joshua Decter, Anna Chave, Mira Schor, Barry Schwabsky and Peter Halley
John Good Gallery, New York City
1992

The Rectangled Bank
With Frank Gillette (moderator), Joshua Decter, Jan Avgikos, Lois Nesbitt
E.M. Donahue Gallery, New York City
1992

Miralda Honeymoon Project
With Pierre Restany, Dave Hickey, Philip Yenawine
University of Nevada, Las Vegas
1992

Triangle Workshop visiting critic/panelist
With Ken Johnson, Karen Wilkin, and Terry Myers
Woodstock, New York
1991

Critics’ Roundtable
Invited participants included Sidney Tillim, Joseph Masheck, Peter Halley, Joshua Decter, Jeanne Silverthorne, Marjorie Welsh, Mira Schor, Klaus Ottmann, and Jeremy Gilber-Rolfe (organized by Saul Ostrow and Robert C. Morgan)
New York City
May 1991 (statements published in M/E/A/N/I/N/G #11, 1992)

Approaching the Millennium
With Joan Marter (moderator), Kim Levin, Robert Storr, Eleanor Heartney, and Judith Wilson
AICA Panel, Washington Sheraton, Washington, DC
February 22, 1991

The Plight of the International Artist: Does the Trace Remain? moderator
With Vik Muniz, Komar & Meladmid, Catalina Parra, Alain Kirili
School of Visual Arts Amphitheater, New York City
November 20, 1990

The Future of Art in the 21st Century
With Terry Fulgate-Wilcox, moderator, Collins & Milazzo, Gary Sangster, and Richard Vine
Artists Talk on Art series
New York City
1990

Fluxus Panel moderator
Artists Talk on Art Series
New York City
1989

The Convergence of Art and Philosophy
With Jean Baudrillard, Collins & Milazzo, Sara Charlesworth, Jorge Glusberg, Peter Halley, Joseph Kosuth, and Tim Rollins
Schimmell Auditorium, New York University
May 22 - 23, 1989

Seventh Annual Symposium on Contemporary Art juried paper
Sponsored by Rutgers University and Fashion Institute of Technology
October 14, 1988

Has Cynicism Replaced Meaning in Art? moderator
With David Antin, Ingrid Sischy, Dara Birnbaum, John Miller, and Joseph Nechvatal
School of Visual Arts, New York City
October 13, 1988

Allan Kaprow: Proceedings keynote speaker
University of Texas, Arlington
April 1988

Intersections of Photography and Art moderator
Artists Talk on Art Series
Michael Walls Gallery, New York City
1988

Exhibition Catalogues/Exhibition Reviews
AICA, American Division
1987

American Society for Aesthetics, Eastern Division
Rochester Institute of Technology, Rochester, New York
1987

Photography: Just Another Pencil
College Art Association of America, Boston, Massachusetts
1987

Poetic and Conceptual Interpretations of Systems Used in Drawn and Painted Space
College Art Association of America, Boston, Massachusetts
1987

Architecture of the Vessel moderator
Rochester Institute of Technology, Rochester, New York
1986

Brancusi Society
Rochester Institute of Technology, Rochester, New York
1986

Is Copy Art Copy Quick? moderator
Artists Talk on Art series
22 Wooster Street, New York City
1986

Fluxus Panel moderator
With Ayo, Philip Corner, Dick Higgins, and Alison Knowles
Artists Talk on Art series
469 Broome Street, New York City
1985

Fifth Annual Symposium on Contemporary Art juried paper
Fashion Institute of Technology, New York City
1985

Music To My Ears
Artists Talk on Art series
22 Wooster Street, New York City
1985

Mail Art: The Global Network moderator
Artists Talk on Art series
22 Wooster Street, New York City
1984

Communication in the Post-Industrial Age
Rochester Institute of Technology, Rochester, New York
1984

Ceramics Panel
Parsons School of Design, New York City
1983

The First Annual Conference on the History of Graphic Design
Rochester Institute of Technology, Rochester, New York
1983

Caucus on Social Theory and Art Education
National Art Education Association, Chicago, Illinois
1981

The Role of Theory in Art-Making
College Art Association of America, San Francisco, California
1981

Komar/Melamid and the Dissident Tradition in Russian Culture
Ulrich Museum of Art, Wichita State University, Wichita, Kansas
1980

18th Annual Central States Slavic Conference
Wichita State University, Wichita, Kansas
1979

National Art Education Association
San Francisco, California
1979

Graduate School of Education, Harvard University, Cambridge, Massachusetts
1973

Boston Visual Artists Union, WGBH, Boston, Massachusetts
1972

Wlodzimierz Ksiazek at Kouros Gallery page 196
Summer 2005

Lydia Dona at Michael Steinberg Fince Art page 136
December 2005

Summertime at Nancy Hoffman page 172
Summer 2004

Robert Natkin at David Findlay Jr. Fine Art page 114
June 2004

Keith Sonnier at ACE pages 114 - 115
June 2004

Virgil Grotfeldt at Jason McCoy page 114
February 2004

Rudy Burckhardt at Tibor De Nagy, New York Studio School page 127
October 2003

Aftershock at Dickinson Roundell page 136
September 2003

Agnes Martin at Pace Wildenstein pages 124 - 125
May 2003

Rebecca Welz at June Kelly pages 122
January 2003

Francis Bacon at Tony Shafrazi page 121
June 2002

Nancy Graves at Knoedler and Art Gallery of The Graduate Center, CUNY page 168
May 2002

Hermann Nitsch at Museo Archivo Laboratorio per le Arti Contemporanee, Naples pages 80 - 81
In French and English
December 2008

Olafur Eliasson at Museum of Modern Arts P.S. 1 Contemporary Art Center, New York City page 79 - 80
In French and English
September 2008

Yigal Ozeri at Mike Weiss Gallery, New York City/Vienne
2008

Richard Serra, Sculpture: Forty Years at The Museum of Modern Art, New York City page 74
In French and English
September 2007

Art Abstrait at Divers Lieux pages 72 - 73
In French and English
March 2007

Douglas Gordon at Gagosian Gallery page 70
In French and English
February 2005

Nikos Kypraios at Galerie Kouros, New York City pages 70 - 71
In French and English
December 2004

Larry Poons at Jacobson Howard Gallery & Frank Gillette at Universal Concepts Unlimited, New York City page 72
In French and English
September 2004

Five Billion Years at Swiss Institute, New York City page 69
In French and English
June 2004

Robert Morris at Haim Chanin Fine Arts & Lucas Samaras at Whitney Museum of American Art, New York City pages 71 - 72
In French and English
February 2004

Helen Frankenthaler and Moon Beom at Knoedler & Company and Kim Foster Gallery, New York City page 66 - 67
In French and English
October 2003

Piotr Uklanski at Gavin Brown’s Enterprise
No. 291
June 2003

William Wegman at Sperone Westwater Gallery
No. 291
June 2003

Carroll Dunham at New Museum of Contemporary Art
No. 290
May 2003

Carroll Dunham at The New Museum of Contemporary Art, New York City pages 67 - 68
In French and English
March 2003

Wlodzimierz Ksiazek at Kouros Gallery & Art Alliance, New York/Philadelphia page 70
In French and English
February 2003

Miri Segal at P.S. 1
No. 273
November 2001

John Wesley at P.S. 1, Francesco Castro Lenero at Howard Scott & Karina El Azem at the Argentine Consulate, New York City
No. 265
February 2001

Les Expositions de l'Ete, Divers Lieux 2000
No. 261
October 2000

Tony Feher, DíAmelio Terras
No. 257
May 2000

Digital Hybrids, McDonough Museum of Art
No. 255
March 2000

The American Century II, Art and Culture 1950-2000, Whitney Museum of American Art
No. 253
January 2000

Joel Shapiro / Hamish Fulton
In French and English
No. 242
January 1999

Maciej Toporowicz at Lombard Freid Fine Arts and Jan Zakrzewski at TZ Art & Company pages 70 - 71
In French and English
February 1998

Theresa Chong / Carol Szymanski
No. 236
June 1998

Jacques Roch / Carolee Schneemann
No. 221
February 1997

Alex Katz / Louise Lawler / Ted Victoria
No. 224
May 1997

Le Statut du Kitsch / Kitsch Today
No. 217
October 1996

Trois Strategies Personnelles (Three Strategies)
No. 213
May 1996

Latitudes Eclatees (Shattered Latitudes)
No. 212
April 1996

Les Representations du Portrait: Alterite et Diversite (Representing the Portrait: Alterity and Diversity)
No. 211
March 1996

Hans Bellmer: L'invasion d' Eros (The Infestation of Eros pages 33 - 38
No. 207
November 1995

Peintures Pour un Hiver
No. 190, International Edition
April 1994

Automne a New York
No. 187, International Edition
January 1994

Tactile Resonance (Lee Hye-min) pages 58 - 60
Vol. 24. No. 4
July / August 2014

Reviews: Hou Beiren (Nanhai Gallery, San Francisco) and Inoiue Yuichi (Erik Thomsen Gallery, New York City) pages 88 - 90
Vol. 24, No. 4
July / August 2014

Culture of Difference (Tiong Ang) pages 46 - 47
Vol. 24, No. 3
May / June 2014

Reviews: The Ceiling Should be Green (P! Gallery, New York City) and Seong Gil Heo (Tenri Gallery, New York City) pages 81-83
Vol. 24, No. 2
March / April 2014

Review: Kim Jung-ja (Tenri Gallery, New York City) page 89
Vol. 23, No. 6
November / December 2013

Beyond Pure Aesthetics (55th Venice Biennale) pages 68 - 70
Vol. 23, No. 5
September / October 2013

Projecting the Legacy of Iran (Farideh Lashai) pages 40 - 41
Vol 23, No. 4
July / Auguast 2013

Review: Soonja Han (De Buck Gallery, New York City) page 76
Vol. 23, No. 4
July / August 2013

Istanbul Art Magnet (Bedri Bekham) pages 68 - 70
Vol. 23, No. 3
May / June 2013

Review: Xin Song (Flatiron Prow Art Space) page 91
Vol. 23, No. 3
May / June 2013

Coming to Grips with Significant Art (9th Shanghai Biennial) pages 70 - 74
Vol. 23, No. 1
January / February 2013

Review: Yoo Geun-Taek (Gallery Hyundai, Seoul, South Korean) pages 86 - 87
Vol. 23, No. 1
January / February 2013

From Flowers to Fireflies (Yayoi Kusama) pages 64 - 68
Vol. 22, No. 6
November / December 2012

Review: Gutai at Hauser & Worth pages 88 - 89
Vol. 22, No. 5
November / December 2012

Joohyun Kang at Tenri Gallery page 99
May / June 2010

Baiju Parthan at Aicon Gallery page 98
May / June 2010

Len Hong-wen: Journey Through Time page 65
January / February 2010

Tan Dun at Chambers Fine Art page 99
(January / February 2010

Bruce Conner
June 2013

Zhang Xiaogang
May 2013

John McLaughlin Paintings 1947-1974
April 2013

Larry Poons: New Paintings
March 2013

Wolf Vostell: Reclaiming the Present through Decollage
February 2013

Michal Rovner: Typography
December / January 2013

Ahmed Alsoudani
November 2012

Shaping the Structure of Painting: Charles Hinman
October 2012

Christoper Kurtz: Longhand
September 2012

Avant-Garde Ink in China: Beyond Pop and Expressionism
July - August 2012

Early Conceptual Art: Documents, Installations, and Related Manilestations
June 2012

Joseph Nechvatal: nOise anusmOs
June 2012

Jong Oh
May 2012

Jesus Rafael Soto: Paris and Beyond 1950-1970
April 2012

George Ortman
March 2012

Jennifer Bartlett's Recitative: Fractions Between Concept and Decorum
February 2012

Gabriele Evertz: Rapture
December / January 2012

Can Bob Dylan Paint
November 2011

Frederick Hammersley: The Origins of Pictorial Space
October 2011

Linda Cross: Excavation Painting
October 2011

La Saison de Claude-Oskar Monet
September 2011

In Venice: Schnabel and the Persistence of Art
September 2011

Does Nordic Art Exist? A Lesson In Transculture
July - August 2011

Influence or Affinity? Case in Paint: Soutine and Bacon
June 2011

Where Malevich Has Left Us Today
May 2011

Beyond "What You See": Rethinking Abstract Painting as a Signifying Process
April 2011

Hard-Edgeness in American Abstract Painting
March 2011

Jennifer Bartlett's Recitative: Fractions Between Concept and Decorum
February 2011

Tumescent Follies, Inflated Money, and Kitschy Sex
December 2010 - January 2011

Audrey Flack and the Revolution of Still-Life Painting
November 2010

Un Renard Dans l'Art: The Paintings of Farrell Brickhouse
October 2010

Kitsch and the Avant-Garde: How the Brotherhoods Set the Stage for Utopia
September 2010

Kiki Smith: Allegories of Living and the Mystery of Existence
July - August 2010

Signs or Sex Within A Sexless (Phantasmagorical) Void
June 2010

The Bauhaus Idea: How To Live with Art
December 2009 - January 2010

Rakuko Naito: Permutation-Variant-Structure
September 25, 2009 / January 15, 2010

Frederick Sommer's Paradigm of Art and Reality
March 2010

Readymades Remade (After Consumption): Detritus as Art
April 2010

Immersion, Infinity, and the Quality of Life
May 2010

Reflections on the Artist Warrior
May 2010

Where’s the Matter?: On the Sculpture of Kenneth Snelson
April 2009

Jack Bush, Works on Paper
May 2009

Graham Nickson: Italian Skies
June 2009

The 11th International Istanbul Biennial: What Keeps Mankind Alive? October 2009

A Tribute to Charles Seliger (1926-2009)
November 2009

Letter From Venice Off-Season: Art between the Biennials
September 2008

Arthur Cohen
October 2008

Medium Cool: The Case for Serrano's Hot Shit October 2008

He Sen
November 2008

Lee Ufan
November 2008

Robert Barry: Not the Art of War, but Art and War
December 2008

Extending the Universe: Conceptual Art, Women, and the Structuralist Paradigm
February 2008

David Geiser
March 2008

The Destiny of Larry Poons
March 2008

Tadaaki Kuwayama’s Aesthetics of Infinity
April 2008

Bien-U Bae
May 2008

Meaning in Art
May 2008

Weltanschauung and Abstract Painting
June 2008

Absence and the Continuum of Nature
July - August 2008

A Note on Botero’s Abu Ghraib
December 2006 / January 2007

Gary Hill
March 2007

Mayumi Terada
April 2007

Tala Madani: Smoke and Mirrors
May 2007

Letter from Iran
June 2007

Lee Ufan's Resonance & Artempo: Where Time Becomes Art
July / August 2007

Hwang Young Sung: Painter from GwangJu
December 2005 / January 2006

Susan Bee and Miriam Laufer
March 2006

In Memory of the Video Mentor: Nam June Paik (1932–2006)
March 2006

Whitney Biennial 2006: Day for Night
April 2006

Jules Olitski
May 2006

Allan Kaprow (1927–2006) by Robert C. Morgan, Wolf Kahn, and Irving Sandler
May 2006

Jay Milder
June 2006

In Conversation: Seo-Bo Park with Robert Morgan
July / August 2006

The Anti-Aesthetic of Dada
July / August 2006

Jin Soo Kim
March 2005

The Meaning of Silence
May 2005

Unraveling Cultural Globalization
July / August 2005

Ryszard Wasko: Bedtime Stories
December 2003 / January 2004

Natvar Bhavsar
February 2004

A Triple Alliance: de Chirico, Picabia, Warhol
March 2004

In Conversation: Hermann Nitsch with Robert C. Morgan
April 2004

Portraits in Richmond
June 2004

Two Biennials, Two Models: GwangJu and Lodz
November 2004

The Citadel of Art
April – May 2003

The Man Who Carried His Art in His Pocket - A Tribute to Fred Sandback
August 2003

Another Art Story From Venice - Featuring Gina Lollobrigida!
October 2003

Radio Waves: New York, Nouveaux Realisme, and Rauschenberg at Sperone Westwater Gallery pages 74 - 75
September 2014

Germaine Richier at Dominique Levy pages 74 - 75
Vol. 33, No. 5
June 2014

Miroslav Balka at Barbara Gladstone page 75
Vol. 32, No. 10
December 2013

Lim Dong-Lak's: Geometry of Light pages 48 - 49
July / August 2013

Not Vital's Recent Sculpture: Forms That Speak Through One Another pages 34 - 37
April 2013

Richard Artschwager at Leo Castelli Gallery page 68
April 2013

Kosyo Minchev at Atux Gallery pages 72 - 73
December 2012

Maurizio Cattelan at Solomon R. Guggenheim Museum pages 74 - 75
July / August 2012

Jene Highstein at Danese Gallery pages 69 - 70
January / February 2012

Ronald Bladen at Loretta Howard Gallery
October 2011

John McCracken: Materialist, Transcendentalist, Minimalist
May 2011

Magdalena Abakanowicz: Allegories of Time pages 30 - 35
April 2011

Raquel Rabinovich: Fluid Equilibrium
Vol. 29, No. 10
December 2010

Reiterating Allan Kaprow's Yard
Vol. 29. No. 7
September 2010

Sculpture that Declares the Space Around It: John Atkin, pages 50 -53
January / February 2010

Conceptual Light: The Bas-Reliefs of Gahae Park pages 38 - 43
December 2009

Creighton Michael and the Origins of Marking pages 42 - 45
April 2009

Will Ryman at Marlborough Chelsea page 77
September 2008

James Busby at Stefan Stux Gallery pages 75 - 76
July / August 2008

Antony Caro at Mitchell-Innes & Nash page 75
June 2008

Won Lee: The Dionysian Strain pages 54 - 57
May 2008

Mimmo Roselli at Galleria II Ponte and the National Archaeological Museum of Florence pages 75 - 76
April 2008

Under the Dome of Time: Two Iranian Sculptors pages 42 - 47
March 2008

Tom Doyle: Allegories of Time, Space, and Nature page 27
Vol. 26. No. 7
September 2007

Salvatore Romano: The Poetic Counterpoint in American Sculpture pages 44 - 47
Vol. 26, No. 5
June 2007

Phone Bui: Reviving a Sense of Wholeness pages 48 - 51
Vol. 26. No. 2
March 2007

Lucio Fontana: Peggy Guggenheim Collection "Lucio Fontana, Venice/New York" pages 77 - 78
January / February 2007

The Alien Sculpture of Kwang-Young Chun
September 2006

Getting Things Straight: Jackie Winsor Moves Ahead
June 2006

A Leap into the Unkonwn: A Conversation with Sol Le Witt
April 2006

Daniel Buren: "The Eye of the Storm" at Solomon R. Guggenheim Museum pages 67 - 68
December 2005

William Tucker at David McKee Gallery pages 71 - 72
October 2005

Seymour Lipton at Michael Rosenfeld Gallery pages 67 - 68
Vol. 24, No. 7
September 2005

Janet Echelman's She Changes
Vol. 24 No. 6
July / August 2005

Tadashi Hashimoto at Maiden lane Exhibition Space page 72
Vol. 24, No. 5
June 2005

And Now, Ladies and Gentlemen... Nam June Paik's Meta 11 page 80
June 2005

Atsuko Tanaka at Grey Art Gallery
Vol. 24, No. 3
April 2005

Kuma: Sculpture as Transcultural Theater
March 2005

Global Grooving at the Guggenheim: Nam June Paik
April 2005

Daniel Buren, Sculpture page 67
Vol. 24, No. 1
January / February 2005

David Smith at Gagosian Gallery
Vol. 24, No. 1
January / February 2005

Michal Rovner at Pace Wildenstein
Vol. 23, No. 10
December 2004

Mia Westerlund Roosen at Lennon Weinberg Gallery pages 73 - 74
Vol. 23, No. 9
November 2004

Stephan De Staebler: Franklin Parrasch Gallery, New York City
Vol. 23, No. 8
October 2004

Peter Barton at Pocketbook Factory pages 70 - 71
Vol. 23, No. 7
September 2004

Fragments of Meaning: Zvika Lachman
Vol. 23, No. 6
July / August 2004

Made Wianta at Garuda Wisnu Kencana Cultural Park, Bali, Indonesia
Vol. 23, No. 5
June 2004

The Life of a Place: Dani Karavan
Vol. 23, No. 3
April 2004

Clement Greenberg: Late Witings
March 2004

Jorge Oteiza at Haim Chanin Fine Arts page 70
Vol. 23, No. 2
March 2004

John Cross at Maiden Lane
Vol. 22, No. 10
December 2003

David Smith: Poetry and Perfidy
Vol. 22, No. 9
November 2003

Biennial Delirium: A Critic in Venice amid Dreams and Conflicts pages 45 - 49
Vol. 22, No. 8
October 2003

The Spokes of the Wheel: Sook Jin Jo
Spetember 2003

The Snow Show at Kemi Art Museum & Rovaniemi Art Museum, Finland pages 77 - 78
Vol. 22, No. 7
September 2003

Jian-Jun Zhang and Barbara Edelstein
Vol. 22, No. 4
May 2003

Nina Levy at Feigen Contemporary
Vol. 22, No. 3
April 2003

Gillian Jagger at Phylis Kind
Vol. 21 No. 10
December 2002

Osmo Rauhala at Lance Fung Gallery pages 73 - 74
Vol. 21 No. 10
December 2002

Tony Smith: In the Ether of Solids pages 43 - 48
Vol. 21 No. 10
December 2002

Bruce Nauman at Dia Center for the Arts pages 70 - 71
Vol. 21, No. 6
July / August 2002

Sol Le Witt: Systemic Art Made Visual
June 2002

Linda Cross at Davis & Hall Gallery pages 71 - 72
April 2002

Louise Bourgeois: Spiders
Vol. 21, No. 2
March 2002

Kim Sooja: The Persistence of the Void
Janury / February 2002

John Cross at Davis & Hall Gallery pages 71 - 72
December 2001

Rethinking Judd
April 2001

Construction in Process VII, Municipal Museum, Bydgoszcz, Poland
Vol. 20, No. 1
January / February 2001

Lucio Fontana page 77
Vol. 20, No. 1
January / February 2001

The "Globalized" Artist in the New Millennium
Vol. 19, No. 8
October 2000

Tadaaki Kuwayama: The Reversal of Form as "Pure Space"
Vol. 19, No. 6
July / August 2000

Metronome (Ginzel/Jones)
Vol. 19, No. 4
May 2000

Global Grooving at the Guggenheim: Nam June Paik
Vol. 19, No. 3
April 2000

Nancy Rubins, Paul Kasmin Gallery
Vol. 18, No. 8
October 1999

The Puzzle of Existence: Mihuel Berrocal
Vol. 18, No. 3
April 1999

Nancy Grossman: Opus Volcanus
Vol. 17, No. 6
July / August 1998

Environment, Site, Displacement
March 1992

A Mythic Saga in Glass and Steel pages 31 - 33
Vol. 20, No. 2
Spring 2014

Review: John F. Simon, Jr. (Sandra Gering Gallery, New York City) pages 61 - 62
Vol. 20, No. 2
Spring 2014

Social Bodies and Lively Minds: Mike Kelley and Chris Burder (P.S. 1 and the New Museum, New York City) pages 28 - 31
Vol. 20, No. 1
Winter 2014

Review: Hiroyuki Hmada (Lori Booksteain, New York City) page 61
Vol. 20, No. 1
Winter 2014

Reviews: Hijo Nam (Gabarron Foundation, New York City) and “Erik Sommers” (Rooster Gallery, New York City) pages 60 - 62
Vol 19. No. 2
Spring 2013

Review: Mimmo Roselli (55th Biennale di Venezia) pages 60 - 61
Vol. 19, No. 3
Summer 2013

Review: Peter Rogiers (Galerie Richard, New York City) pages 56 - 57
Vol. 19, No. 1
Winter 2013

Between Surface and Presence: Willem de Kooning (MoMA, New York City) pages 28 - 31
Vol. 18, No. 1
Winter 2012

The Problem of Form (Sculpture in New York) pages 58 - 59
Vol. 16, No. 1
Winter 2012

ACME

Sites of Criticism comment
Vol. 1, No. 2
1992

The Audible Voice in the Moment of Crisis: The Crux of Criticism
Edited by J. Decter and J. Miller
1992


Afterimage

A Whitney Sampler
Vol. 15, No. 2
September 1987

Tales From The Dark Side
June 1987

Binary Fission: John Pfahl
Vol. 14, No. 9
April 1987

Signs of the Times: Reviews of Victor Burgin and Oskar Schlemmer exhibitions
January 1987

Your TV Becomes My Mania
November 1986

Manhattan Shortcuts: Media Hostages by Branda Miller, Chip Lord, and Muntadas; Museum Reaction Piece by Howard Fried; and Nightsea Crossing by Ulay/Marina Abramovic
Summer 1986

Roszakograms: Review of Photograms by Theodore Roszak
May 1985

Backlight: Review of Light Graphics by Gyorgy Kepes
March 1985

Nature Morte: Review of Still Life by Peter Nadin
April 1984

Sermon in Tranquility: An Interview with Gyorgy Kepes
January 1983

Conceptual Art and Photographic Installations: The Recent Outlook pages 8 - 11
Vol. 9, No. 5
December 1981


AICA - USA Newsletter

Art and Criticism in Medellin
Fall 1997 / Winter 1998


American Abstract Artists Journal

The Dilemma of Contemporary Abstraction
2000


American Book Review

Not A Simple Word - Picture: Reviews of Envisioning Information by Edward Tufte and Structure of the Visual Book by Keith A. Smith
Vol. 1, No. 6
February - March 1993


American Ceramics

Beth Cavener Stichter at Garth Clark Gallery page 74
No. 152
2007

Santiago Calatrava at Queens Sofia Spanish Institute, New York City page 71
No. 152
2007

Richard De Vore at Max Protetch Gallery
April 2004

Graham Marks
Vol. 3, No. 1
Winter 1984

Mythical Habitats: J. B. Cobb
Vol. 2, No. 3
Fall 1983

Reconstructing with Shards
Vol. 2, No. 1
Winter 1983


Apelles: The Georgia Arts Journal

Gyorgy Kepes: Paintings Informed by Earth-Light
Winter 1983


The Appraiser: The Newsletter for Personal Property Appraisers

Beatrice Wood: In the Spirit of Dada
Second Quarter 1997


Art Asia Pacific

Noritoshi Hirakawa: In Search of a Purple Heart at Salon 94, New York City page 84
No. 45
Summer 2005

Revolutionary Door (Chambers Fine Art, New York City) page 86
Vol. 41
September 2004


Art Criticism

The End of the (Art) World
Vol. 11, No. 1
Spring 1996

The Icon Without the Image
Vol. 4, No. 2
Spring 1988

Book Review: The Pluralist Era: American Art, 1968-1981 by Corinne Robins pages 88 - 94
Vol. 3, No. 2
1987


Art Express

Review of Clement Greenberg, Art Critic by Donald Kuspit
May 1981


Art Inquiry (Lodz, Poland)

The Free Space in Art page 123
Vol. XI (XX)
2009

A Subjective Utopic in Art page 7
Vol. IX (XVIII)
2007

Dehumanization and the Post-human: The Similarities and our Discontents page 7
Vol. VII (XVI)
2005

What is the Use of Art page 55
Vol. VI (XV)
2004

Cultural Globalization and the Artist
Vol. IV (XIII)
2002


Art In Asia (Republic of Korea)

Lim Dong-Lak’s: Geometry of Light, Embracing Venice pages 80 - 83
November / December 2012

Reading Beyond Barcodes pages 104 - 106
March / April 2008

Reviving The Edge In Optical Painting page 55
September / October 2007


Art in America

Bram van Velde at Lefebre
September 1983

Howard Kanovitz at Alex Rosenberg
November 1982

Letter
April 1982


Art In Culture (Republic of Korea)

Report From Abroad page 102
January 2003

Emerging Artist Essay page 97
September 2002


Art Journal (College Art Association of America)

Conceptualism: Reevaluation or Revisionism?, on Global Conceptualism: Points of Origin 1950s-1980s
Vol. 58, No. 3
Fall 1999

Humanist Geometry, Tony Smith: Architect, Painter, Sculptor
Vol. 58, No.2
Summer 1999

Physicality and Metaphor: The Paintings of Sean Scully
Vol. 50, No. 1
Spring, 1991


Art Look

What is an Image? CD ROM
1995


Arte Factum (Antwerp)

Peter Downsbrough - According to Place
Vol. 2, No. 10
1985


Arte y Naturaleza

Artistas Que Plasman page 20 - 23
September - October 2001


Artnews

Lydia Dona page 136
February 2005

Wlodzimierz Ksiazek at Kouros
Summer 2005

Summertime at Nancy Hoffman Gallery
Vol. 103, No. 10
November 2004

Linda Stojak at Stephen Haller
Vol. 103, No. 7
Summer 2004

Robert Natkin at David Findlay Jr. Fine Art
June 2004

Virgil Grotfeldt at Jason McCoy
February 2004

Rudy Burckhardt at Tibor De Nagy New York Studio School
October 2003

Aftershock at Dickinson Roundell
September 2003

Miyako Ishiuchi / James Nakagawa at Sepia International
Vol. 102
June 2003

Keith Sonnier page 114
June 2003

Dorothy Ruddick at Richard York
Vol. 102
June 2003

Agnes Martin at Pace Wildenstein
May 2003

Joseph Cornell at Allan Stone
February 2003

Rebecca Welz at June Kelly
January 2003

Nancy Graves page 168
May 2002

Markus Lupertz at Knoedler
November 2002

Francis Bacon at Tony Shafrazi
June 2002

Jackson Pollock at Anita Shapolsky
April 2002

Thomas Kovachevich at Curt Marcus
Vol. 9, No. 6
Summer 1992


ARTS Magazine

Space-Time and Space: Gunther Forg and Daniel Buren
April 1992

Bruno Gironcoli
March 1992

After the Deluge: The Return of the Inner-Directed Artist
March 1992

Ross Neher
February 1992

Nancy Grossman
January 1992

New York Diary
October 1991

Dorothea Rockburne
May 1991

Word, Document, Installation
May 1991

Piero Manzoni
March 1991

Howard Hodgkin
February 1991

Visual Improvisations: The Paintings of Miles Davis
January 1991

Book Review: Post-Pop Art edited by Paul Taylor (Flash Art/MIT Press)
November 1990

Book Review: Postmodern Currents: Art and Artists in the Age of Electronic Media by Margot Lovejoy (UMI Press)
October 1990

Formalism as a Transgressive Device
Vol. 64, No. 4
December 1989

Concept, Idea System
Vol. 64, No. 1
September 1989

LeWitt, Staehle, Smith
Vol. 63, No. 10
Summer 1989

Reviews: New Image Painting: Argentina In the Eighties, Robert Rohm, Dana Nelson, Archie Rand, Liz Larner, Thomas Schulte, Roni Horn, Adrian Piper, Gregory Botts, Seymour Boardman, Lawrence Calcagno, and Richard Rubens
Vol. 63, No. 10
Summer 1989

Reviews: Gilbert Hsiao, Marilyn Lerner, Hans Breder, Bonnie Rychlak, Richard Artschwager, Pre-Pop, Post-Appropriation, Saul Ostrow, Yrshai Jusidman, Dorothea Tanning, and Hermann Nitsch
Vol. 63, No. 9
May 1989

Reviews: Dennis Oppenheim, Wolfgang Staehle, Serge Kliaving, Barbara Kruger, Conrad Atkinson, Diagrams and Surrogates, Nonrepresentation, Nature, Walter Darby Bannard, Mary Lucier, Philippe Favier, Six Flemish Artists
Vol. 63, No. 8
April 1989

Reviews: David Park, Georgia O'Keeffe, Mel Bochner, Alberto Burri, Painting Degree Zero, Graham Marks, Joseph Beuys, and Christian Boltanski
Vol. 63, No. 7
March 1989

Reviews: Tony Tasset, John Franklin, Ronald Jones, Ed Ruscha, Ellsworth Kelly, Ross Bleckner, John Ahearn, Literary Visions, and Claire Seidl
Vol. 63, No. 6
February 1989

The Situation of Conceptual Art & The Return of Arthur Rose (cover feature)
Vol. 63, No. 6
February 1989

Letter From Europe
Vol. 63, No. 5
January 1989

Reviews: Gunther Forg, James Welling, Sally Mann, Ken Heyman, The 30s and 40s: Paintings by Women Artists, Ludwig Sander, David Hare, and The Last Temptation of Christ
December 1988

From Topology to Heterology
Vol. 64, No. 4
December 1988

Arnold Mesches
Vol. 64, No. 3
November 1988

The Spectrum of Object - Representation
Vol. 64, No. 2
October 1988

Reviews: 10 Latino Artists, Paul Thek, David Hockney, Ree Morton, and Frank Gehry
October 1988

Reviews: Ming Fay, Geometric Abstraction, Liz and Val, Ed Ruscha, Hiroshi Sugimoto, Group Material, Joel Janowitz, and Ericka Beckman
September 1988

Anti-Style, or the Installation as a Pleasurable Text
June 1988

Reviews: Sara Jane Roszak, Betty Goodwin, Convergencies/Convergencias, Thomas Bang, Roni Horn, and Anselm Kiefer
May 1988

Let One Hundred Flowers Bloom: David Diao and the Modernist Monogram
Vol. 69, No. 9
May 1988

Robert Barry's Return to the Visible
April 1988

Reviews: Joseph Nechvatal, Hamish Fulton, Jeremy Gilbert-Rolfe, and Ana Mendieta
March 1988

On John McLaughlin's Paintings of the 1960's
March 1988

What is Conceptual Art, Post or Neo
March 1988

Reviews: Elaine Sturtevant, Catalina Parra, Rita Myers, Gary Nickard, and Chihung Yang
January 1988

The Making of Wit: Joseph Kosuth and the Freudian Palimpsest
January 1988

Reviews: Komar and Melamid, Peter Hutchinson, David Geiser, and Invitational at John Weber Gallery
December 1987

Sherrie Levine: Language Games
December 1987

American Sculpture and the Search for a Referent
November 1987

The Spectacle in Time: A New Look at Art and Technology
October 1987

Peter Nadin: Style and Sign (cover feature)
May 1987

Richard Long: Post-Structural Encounters
February 1987

The Making of History Through the Perception of Media
March 1986

Hamish Fulton: The Residue of Vision/The Opening of Mind
March 1986

Peter Nadin
November 1985

Hans Haacke: Working From the Inside Out
October 1985

Jim Sanborn
June 1985

Gunther Brus, Hermann Nitsch, amd Arnulf Rainer
May 1985

James Gross
January 1985


ARTSCRIBE

Review: John McLaughlin at Andre Emmerich
May 1989

Review: Camouflage (Phillipe Tomas, Paul Graham, Sam Samore, Ian Hamilton Finlay, and Ian Wallace
January - February 1989

Muntadas (El Guia, Barcelona, Spain)
Fall 1988

Reviews: Group Shows at Lillejohn-Smith, Lorence / Monk, and Whitney Program at Ward-Nasse
November - December 1988

Reviews: Smithson, Serra, and Heizer
September - October 1988


The Bulletin of the Caucus on Social Theory and Art Education

Conceptual Art and the Continuing Quest for a New Social Context (revised)
Papers from the Caucus Program, N.A.E.A. Convention, Chicago, Illinois
No. 2, edited by Cathy Brooks
April 1981


C Magazine

Review: David Diao at Postmasters Gallery
No. 14
Summer 1987


C.E.P.A. Quarterly

Extended Logos: Personalities and Techno-Products
Guest Editor, included work by R. Kostelanetz, H. Blau, J. Williamson, A. Muntadas, N. Burson, A. Codreseu, R. Jones, G. Nickard, Komar & Melamid, and cover by Barbara Kruger
Special Issue, Vol. 4, Issue 1
1989

Fatal Strategies
Vol. 3, Issues 2 & 3
Winter / Spring 1988

Bill Viola's Paradigmatic Mind-Set/With an Eye Toward History
Vol. 3, Issues 2 & 3
Winter / Spring 1988

Mistaken Documents: Photography and Conceptual Art
Vol. 2, Issue 3 & 4
Spring / Summer 1987

In the Vicinity of Dodge City
White Walls No. 17, Autumn 1987
Reprinted in Vol. 2, Issue 3 & 4
Spring / Summer 1987

The Photographers' Photographer: A Portrait of Nathan Lyons
Vol. 2, Issue 2
Winter 1987

The Catalog and the Exhibition
Vol. 2, Issue 2
Winter 1987

The Extended Logo
Fall 1986
Reprinted in SPOT (Houston Center for Photography)
Fall 1986

Francesca Woodman: Photographic Work
Fall 1986

James Wellings' Galatin Landscape (1985)
Summer 1986


Camerawork

Process in Art: The Means to an Image page 4 - 5
Vol. 30, No. 1
Spring / Summer 2003


Ceramics Monthly

Common Ground World Mandala
Vol. 48, No. 7
September 2000


Contemporary Art (UK)

Helen Frankenthaler: Prints and Works on Paper
Vol. 2, No. 3
Summer 1994


Cognoscenti

Dorothea Rockburne’s Starry Night page 23 - 30
2011


COVER

Sol LeWitt: Jugendstil Meets Sixties Psychedelic
Vol. 12, No. 6
1998

Two Gestures / Two Attitudes
Vol. 12, No. 3
1998

The Mistaken Legacy of Burne-Jones
Vol. 12, No. 4
1998

Carter Xavier Veilhan / Matthew McCaslin: Works from the Neumann Family Collection at the French Cultural Services
Vol. 11, No. 4
1997

Watch You Calories at the Galleries: Advice Not Advocacy from a Critic
Vol. 11, No. 2
April / May 1997

Michal Sedaka's Resolute Gesture
Vol. 11, No. 1
February / March 1997

Tales at the End of a Season: Kitsch, Power, Constructivism, and Fantasy
Vol.10. No. 6
Summer 1996

Here in Town, the Scene, Mot the Screen
May 1996

Diverse Updates: Art, Film, Design, Sculpture, and Painting
Vol. 10, No. 3
April 1996

State of the Art from the Lyon Biennial
Vol. 10, No. 3
April 1996

Total Voyeurism: Painting is Not a CD-ROM
December 1995 - January 1996

Canvas, Resin, and Fiberglass: Visual Poems and Rhythmic Bar Codes
November 1995

Beatific Culture on Both Coasts
October 1995

Days at Mitzpe Ramon (Israel)
Summer 1995

The Whitney Biennial and Other Delights
May 1995

Nauman's Lightness
April 1995

Violating the Codes of Fashion
March 1995

The Great Oppenheim
January 1995

Lost Ramparts of Modernity
November 1994

Bald Guys, Dead Birds, and the Gaping Earth
October 1994

Summer on the Installation Plan
September 1994

Beat Symposium
Summer 1994

Walking Through Spaces (Uptown and Downtown
May 1994

Structure, Repetition, and "The Body,"
April 1994

Martin Mull (Interview)
March 1994

Stalinist Art, Longo, and Orlan
February 1994

Doing Art In Poland: Trying Not to Make Sense
December 1993 - January 1994

Artists Who Changed the World (French Biennial)
October 1993

Fluxus Adventure: From Pop to Eternity
September 1993

Martin Ball
Summer 1993

Bits of Modernism
Summer 1993

Fin de Siecle
May 1993

Myth and Stature: Clemente and Schnabel
March 1993

What Are The Symptoms?
April 1993

The Designs of Hoffmann
March 1993

To Make a Point
Winter 1993

Discursive Art Notes
December 1992

Fear of Exhibitions
October 1992

Art Worlds and Artists
September 1992

Anger + Rhetoric = Business
Summer 1992

Objects, Cynical Sex
May 1992

Homeless Clothes: Fashion or Art (Lois Nesbit)
April 1992

The New (Art) Market
Vol. 6, No. 2
March 1992

Ecstasy and Agony
Vol. 6, No. 1
January 1992

Nancy Grossman and Jim Dine
Vol. 5, No. 9
November 1991

Designer Death
Vol. 5, No. 8
October 1991

Dada to Data
Vol. 5, No. 7
September 1991

Report From Paris
Vol. 5, No. 6
Summer 1991


Dialogue

Paintings by David Geiser & James Surls: Sculpture
Vol. 11, No. 4
Summer 1988


DOMUS

Bill Viola (feature)
In Italian and English
No. 805
June 1998

Il Premio Hugo Boss a New York / The Hugo BossPprize in New York
No. 791
March 1997


East of Borneo

Larry Bell’s Architectonic Light: Early Cubes and Improvisations
February 2012


Ear Magazine

A Conversation With Michael Snow
Vol. 9, No. 5 / Vol. 10, No. 1
1985


Flash Art

Chuck Close page 95
May - June 1998

Tadaaki Kuwayama
Vol. XXIX, No. 191
November - December 1996

Review: Fluxus (MoMA, New York City)
May - June 1989

Reviews: Igor Kopystianski and Svetlana Kopystianska; Barry LeVa; and Jasper Johns, David Salle, and Bruce Nauman
No. 144
January - February 1989

Richard Serra Interview
Supplement to No. 144
January - February 1989

Eccentric Abstraction and Postminimalism
No. 144
January - February 1989

Review: John Duff and Haim Steinbach
October 1988

Reviews: Allan Kaprow, Robert Greene, and Yvonne Jacquette
No. 141
Summer 1988

Meaningful Geometry & Marcel Duchamp
No. 140
May - June 1988

Vito Acconci (feature)
No. 140
May - June 1988

Robert Morris
No. 140
May - June 1988

Joshua Neustein
No. 139
March - April 1988

Joseph Kosuth
January / February 1988

Jan Dibbets
November / December 1987


Glass Quarterly

Decoding Brian Clarke’s Transillumination pages 29 - 35
Summer 2013

Michael Taylor page 59
Vol. 116
Fall 2009

Acquaetta Williams - Deconstructing Time: Memories at Tribes Gallery, New York City page 112
No. 112
Fall 2008

Tool Zynsky: Shadows at Barry Friedman Ltd., New York City page 64
No. 110
Spring 2008

Corban Walker: Gridstacks at Pace Wildenstein Gallery, New York City page 107
No. 107
Summer 2007

Corban Walker page 65
February 2007

Building Blocks pages 42 - 49
No. 102
Spring 2006

Who Takes Glass Seriously? page 27 - 33
No. 100
Fall 2005

Nicole Chesney: Between Glances at Heller Gallery page 62
No. 99
Summer 2005

Decoding Brian Clarke’s Transillumination
No. 91
Summer 2003

Frozen Moments: The Work of Stacey Neff
No. 90
Spring 2003

Corban Walker: Mapping Space
No. 81
Winter 2000


High Performance

John O'Keefe
No. 53
Spring 1991

Stuart Sherman
No. 52
Winter 1991

Dick Higgins
No. 51
Fall 1990

Beth Lapides
No. 47
Fall 1989

Book Review: Rough Edits: Popular Image Video Works 1977-1980 by Dara Birnbaum
No. 44
1988

Review: Lydia Lunch
No. 44
1988

Artist's Statement: The Function of Art in Culture Today
No. 41 / 42
Spring / Summer 1988

Book Review: The Eye of Prey: Subversions of the Postmodern by Herbert Blau
No. 41 / 42
Spring / Summer 1988

Reviews: Philip Glass and Elizabeth Streb
No. 39
Autumn 1987

In the Space of Androgyny: On the Centennial Birthday of Marcel Duchamp, 1887-1987
No. 39
Autumn 1987

High-Tech TV: Low-Level Content/Fast-Moving Ads
No. 37, Vol. 10, No. 1
Spring 1987

Three South American Women Artists
No. 35
Fall 1986

Recordings: Paul McMahon, rat at rat r, and Christian Marclay: Record Without a Cover
No. 34
1986

Reviews: Hudson and Brendon de Vallance & John Sturgeon and Aysha Quinn - Chariot Chamber
No. 33
1986

Who Was Joseph Beuys? cover feature
No. 33
1986

Expert Clumsiness: Review of Selections from Spectacles Eleven, Twelve and Thirteen (Stuart Sherman)
No. 29
1985

Chris Burden's Beam Drop
No. 27
1984

Healing Wounds, or the Suspension of Choice
No. 25
1984

Touch Sanitation, or Shaking Off the Material Act
No. 19
1983


Hudson River Arts

Entries from Japan / Bali Journal (July 17 - July 26, 2004) pages 70 - 72
Vol. 3
Fall / Winter 2004


Insight

Conceptual Art Into Photography/Photography Into Conceptual Art
Winter - Spring 1988


Journal fur Kunstgeschichte

Dali & Film: The Museum of Modern Art, New York City 2007 pages 86 - 87
Edited by Matthew Gale
Volume 12
2008


Journal of Contemporary Art

Interview With Alain Kirilli
Vol. 5, No. 2
Fall 1992

Interview with Allan Kaprow
Vol. 4, No. 2
Fall / Winter 1991


Journal: Southern California Art Magazine

Pastel, Juice, and Gunpowder: The Pico Iconography of Ed Ruscha
Vol. 3, No. 10
September - October 1981

You Can't Tell a Book By Its Cover (But You Can Locate a Text By Its Spine)
November 1980

Fables, Grids, and Swimming Pools: Phototexts in Perspective
September 1979

The Photograph as a Non-Sufficient Datum: A Conversation with Allan Kaprow
Los Angeles Institute of Contemporary Art
September 1979

Conceptual Art and the Continuing Quest For a New Social Context
Los Angeles Institute of Contemporary Art
June - July 1979


Kansas Quarterly

Touch Sanitation and the DE contextualization of Performance Art
Vol. 17, No. 3
1985

The Pleasure in Photographs/The Components of Language
Vol. 11, No. 4
Fall 1979


Kunstforum (International)

Who is Douglas Huebler? and Antonio Muntadas
Bd. 125
January / February 1994


Kwartalnik Literacki (Poland)

Przyszlosee Krytyki Sztuki Jest Przyszoloscia Demokracji
No. 61-62
2005


Landscape Architecture

Marked in Stone and Sand: An Iranian Sculptor Brings His Art to the River, Beaches, and Parks pages 58 - 62
June 2008


LAPIZ

Andrea Belag at Richard Anderson
No. 87
May - June 1992

Edward Ruscha and Dennis Hopper at Tony Shafrazi
No. 87
May - June 1992

Jeff Koons at Sonnabend
No. 84
February 1992


Leonardo

Book Review: The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979 by David Craven (1st version)
Vol. 24, Issue 5
1991

The Exhibition Catalog as a Distancing Apparatus: Current Tendencies in the Promotion of Exhibition Documents
Vol. 24, Issue 3
1991

Comments on The Envelope As An Art Form: Computer-Aided Images
Vol. 17, Issue 3
1984

Waterfields: Conceptual Water Drawings
Vol. 17, Issue 2
1984

Report on the Satellite Telecast Performance "Double Entendre" produced by Douglas Davis
Spring 1982


The Light Impressionisms Review (Rochester, New York)

The Still and the Narrative Image: Retrospectives in Book Format
No. 18
Summer 1986

New Portraits: Who We See; How We See
No. 17
Winter 1986

Form and Content: Photographers Explore Color
No. 17
Winter 1986

Documentaries, Visionaries, Commentaries: Recent Books By and About Photographers
No. 16
Summer 1985


Lund Art Press (Sweden)

Clemente's Dilemma: The Spiritual and the Secular
Vol. 2, No. 3
1992

The Fluxus Phenomenon
Vol. 2, No. 2
1991

Cynicism and the Choice of Action
Vol. 1, No. 4
1990


M/E/A/N/I/N/G

Book Review: Mondrian Fever
No. 18
November 1995

Book Review: Specters of Marx: The State of the Debt, The Work of Mourning, and the New International by Jacques Derrida, trans. by Peggy Kamuf (Routledge, New York and London, 1994)
No. 17
May 1995

Reversing Paradigms
No. 15
May 1994

Book Reviews: The Dialectic of Decadence by Donald Kuspit and Modernities: Art Matters in the Present by Joseph Masheck
No. 14
November 1993

Book Reviews: On Innovative Art (ist)s: Recollections of An Expanding Field by Richard Kostelanetz and Art and Otherness: Crisis in Cultural Identity by Thomas McEvilley
No. 13
May 1993

Book Review: Art After Philosophy and After by Joseph Kosuth (MIT, Cambridge, 1991)
No. 11
1992

Statement, A Round-Table on Criticism
Mo. 11
1992

Book Review: Art and Discontent by Thomas McEvilley
No. 10
1991

Book Review: Mary Frank by Hayden Herrara
No. 10
1991

Book Review: Patterns of Desire by Joyce Kozloff
No. 9
1991

Book Review: The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979 by David Craven
No. 9
1991

Statement on Racism
No. 7
May 1990


Moody Street Irregulars

Pull My Daisy, Fie My Fum - The Everlasting Underground Film of the Fifties
No. 22 & 23
Spring 1990

Kerouac’s Vanity and the Novel of Inner Speech
No. 18 & 19
Fall 1987


The New Art Examiner

Signs in Flotation
Vol. 22, No. 8
April 1995


New Art International (Paris)

Does the Trace Remain? The Plight of the International Artist
February 1991

Starn Twins: In the Process of De/Constructing
February 1991

Summer Group Show at John Weber
February 1991

Review: Trans-Europe Express
February 1991

Jenny Holzer
5th Year, No. 8
June - July 1990

Annette Lemieux
5th Year, No. 8
June - July 1990

Jeff Koons
5th Year, No. 8
June - July 1990

Joel Levinson and the Loss of Representation
January - February 1990


New Observations

The Anti-Aesthetic, Careerism, and Art Schools (including photograph of "sand/floor piece," 1976/94)
No. 118
Spring 1998

The Question of the Metaphor
No. 116
Fall 1997

Selected Happenings in Lodz
Guest Editor: Suzi Sureck
No. 102
Double Issue, July - October, 1994

The Overlay, the Underlay, the Metamorphoses
Guest Editor: Joseph Nechvatal
No. 94
March / April 1993

The Future of Hedonism and Sports Events guest editor
Issue includes contributions by Allan Kaprow, Nancy Holt, Collins and Milazzo, Peter Nadin, Jeremy Gilbert-Rolfe, John Baldessari, Judite dos Santos, Douglas Huebler, Rosalyn Drexler, and Sherman Drexler
No. 46
Winter 1987


New Work

Review: Concetta Mason: Reconstructed Vessels at Heller Gallery
No. 36
Winter 1989

Michael Taylor's Metaphors of Energy and Light
No. 33
Spring 1988


New York Arts Journal

Warhol's Portraits, Diamond Dust and the Subject of Jews
No. 21
April 1981

Transmission Aesthetics: Public Interaction and Private Awareness, A Review of Video - Architecture - Television by Dan Graham
No. 18
June 1980

Art and Physicality: A Review of The Writings of Robert Smithson
Edited by Nancy Holt
No. 15
September 1979


The New York Intelligencer

Reviews: Michael Goldberg, Dennis Kardon, Melissa Meyer, Robert Yasuda, Thomas Bang, and Wenda Gu
Vol, 1, Issue 2
Winter 1995


Newsletter, Los Angeles Center for Photographic Studies

Letter to Lew Thomas
Vol. 6, No. 5
May 1980


NY Arts

Declassified
2013

Despair and the Decoding of Duchamps Fresh Widow pages 38 - 39
Spring 2012

Giordano Pozzi: Constructing Emotions page 29
Vol. 9, No. 5/6
May / June 2004

Visionary Exuberance: The Painting of Uri Dowbenko page 34
Vol. 9, No. 5/6
May / June 2004

Whose Justice? Reflections on the Istanbul Biennial 2003 page 43
Vol. 8, No. 11/12
November / December 2003

On Space, Transcendence, and the Dia Beacon pages 28 - 29
Vol. 8 No. 9
September / October 2003

French Art and Culture: Remember to Remember page 31
Vol. 8, No. 6-8
Summer 2003

John Perreault: Pataphysician page 53
Vol. 8, No. 5
May 2003

Symptomatic Non-Art page 72
Vol. 7, No. 11 November 2002

First Take (Criticism), Matthew Barney’s Cremaster 3... page 9
Vol. 7, No. 9
September 2002

Meditation on Two Candles
Vol. 7, No. 5
May 2002

The Intimate Healing Experience page 19
Vol. 7, No. 4
April 2002

Egofugal: The Winding out of the 7th Istanbul Biennial pages 46 - 47
Vol. 6, No. 12
December 2001

Zen Painting and Calligraphy pages 15 - 19
Vol. 6, No. 10
October 2001

Las Tres Cristinas page 17
Vol. 6, No. 7/8
July / August 2001

Taoism and the Arts of China pages 10 - 11
Vol. 6, No. 6
June 2001

Alain Arias-Misson: Shamanic Desires and the Mystery of Love
Vol. 6, No. 2
February 2001

Clarence Morgan
Vol. 6, No. 2
February 2001

Arnold Mesches: Echoes
Vol. 6, No. 1
January 2001

Disasters of War
Vol. 6, No. 1
January 2001

Jitka Hanzlova FEMALE
Vol. 5, No. 12
December 2000

Thermography: A Medium for Conceptual Art?
Vol. 5, No. 11
November 2000

Towards Utopia: Osaka, Japan
Vol. 5, No. 11
November 2000

Dublin's Delightful, Provocative Feast of Art
Vol. 5, No. 10
October 2000

Pierre Molinier, Androgyny, Etc.
Vol. 5, No. 9
September 2000

In Memory of Ruth Benzacar
Vol. 5, No. 7/8
July / August 2000

Mario Segundo Perez, Painter of Landscapes
Vol. 5, No. 6
June 2000

Light Years Ahead: Stan Brakhage
Vol. 5, No. 3
March 2000

Artists Photographs: Straight and Sequential
Vol. 5, No. 2
February 2000

Minimalia: Reduction, Phenomenology, and Essence pages 14 - 15
Vol. 4, No. 11
November 1999

The Politics of Color Field Painting: Dumisani Mabaso
Vol. 4, No. 10
October 1999

Ann Hamilton at the American Pavilion in Venice 1999 pages 28 - 29
Vol. 4, No. 9
September 1999

Sean Scully: Building Time
Vol. 4, No. 7
July / August 1999

Calligraphy After Postmodernism: The Art of Fung Ming-Chip
Vol. 4, No. 6
June 1999

Letter from Newark
Vol. 4, No. 4
April 1999

Conceptually Based Video Art
Vol. 4, No. 3
March / April 1999

Rudolf Steiner: Blackboard Drawings, 1919-24
No. 19
March 1998

Ryszard Wasko: A Discourse on Intimacy
No. 18
February - March 1998

Journal Entry: Seoul, Kwangju, Taegu
No. 17
January - February 1998

Linda Cross: Land Marks
No. 16
December 1997 / January 1998

The Other Biennals
No. 13
September 1997

Bruce Conner: Engraving Collages and Films
No. 12
July 1997

The Dutch Tide
No. 9
April 1997

Yayoi Kusama: Consciousness Regained
No. 6
January 1997

The Boredom of Cezanne
No. 2
September 1995

(In Process)
Premiere Issue
July / August 1995


PAJ: A Journal of Performance and Art

Thoughts on Re-Performance, Experience, and Archivism page 1
Vol. XXXII, No, 3
September 2010

Hyunki Park: Neo-Metaphysical Video and Conceptual Art pages 30 - 33
Vol. 87
September 2007

The Story of the Other
No. 58
1998

Moving Images: Review of the Third Biennial of Lyon, France
Vol. XVIII, No. 2
May 1996


Print Collectors' Newsletter

Books in Review - Barakei: Ordeal by Roses by Eikoh Hosoe
Vol. XVII, No. 2
May - June, 1986

Books in Review - Sommer: Images/Sommer: Words by Frederick Sommer
Vol. XVI, No. 4
September - October 1985


Projekart (Jovina, Slovenia)

Deklasifikovano" (Declassified)
N0. 4
December 1994


RAMPIKE

Formalism as a Transgressive Device
Vol. 7, No. 3
1992

Performance and Spectacle in the Post-Industrial Age
Vol. 6, No. 2
Winter 1989


Real Life Magazine

Declassified
10 Year Anniversary
1990

Pluralism as the Accommodation of Style
No. 16
Autumn 1986

A Conversation with Hans Haacke
No. 13
Autumn 1984

A Conversation With Lawrence Weiner
No. 11 / 12
Winter 1983


REVIEW

Blanca Lloret at Jan Van Der Donk
April 15, 2000

An American Show with a Hero (Hans Haacke)
April 1, 2000

Philip Guston at McKee Gallery
March 15, 2000

Painting Abstraction at the New York Studio School
March 15, 2000

John Mullen at M-13/Howard Scott Gallery
March 15, 2000

Lucio Fontana at Sperone Westwater Gallery
March 15, 2000

Bill Beckley at John Gibson Gallery
March 15, 2000

Maciej Toporowicz at Lombard-Fried Fine Arts
March 1, 2000

Thomas Nozkowski at Max Protetch Gallery
March 1, 2000

Yvonne Thomas at Denise Bibro Fine Art
January 15, 2000

Unmasking Installation Art in America
December 1, 1999

Gene Berry at Mitchell Algus and Dennis Oppenheim at Joseph Helman
March 15, 1999

The Koan
Vol. 4, No. 13
April 1, 1999

Tim White at Alexander de Folin and Bart Domburg at Gasser/Grunert
March 1, 1999

Papa Colo at Exit Art and Alan Shields / Larry Zox
February 15, 1999

Reappraisal: Anselm Kiefer at the Metropolitan Museum
February 1, 1999

The Heroine-ism of Audrey Flack (cover)
January 15, 1999

Beat Pollock (cover)
November 15, 1998

Max Estenger
November 1, 1998

Eija-Liisa Ahtila
October 15, 1998

Noritoshi Hirakawa and Jannis Kounelis
October 1, 1998

Constructivist Roots (Cecilia de Torres Gallery), Stephen De Staebler (Susan Inglett Gallery), and The Information Age (Susan Inglett Gallery)
June 15, 1998

North and South Connected (Cecilia de Torres Gallery), Sigmar Polke (Lombard Freid Gallery), and "Urban Romantics I" (Lombard Freid Gallery)
December 15, 1998

San Francsico Blues (feature)
September 15, 1998

Up On The Roof: The Met and the (Continuing) Dilemma of Ellsworth Kelly's Sculpture
June 1, 1998

Josef Albers and Marco Breuer
May 15, 1998

Garth Evans (feature)
May 1, 1998

Michael Mulhern and Helmut Federle
April 15, 1998

Bruce Conner and Howard Buchwald
April 1, 1998

Arthur Dove
March 15, 1998

The Return of Richard Tuttle
March 1, 1998

Anselm Kiefer: Painting and the Deep Space of Time
February 15, 1998

Abstraction (M-13 Gallery), Zigi Ben-Haim, Stephen DiCillo, Alison Knowles, and Richard Pousette-Dart
February 1, 1998

Man Ray's Porno Seizures (feature), Paul Pagk, and Paul Forte
January 15, 1998

Kevin Clarke, and Mona Hatoum
December 15, 1997

Barbara Kruger: Power, Seduction, and Kitsch
November 15, 1997

Rauschenberg, Supply Side Art & Canoeing
December 1, 1997

Where Spectacle Meets Art: Yves Klein (cover)
November 1, 1997

Thomas Nozkowski
September 15, 1997

West Chelsea: An Experiment in Attitudes and Architecture (summer feature)
July / August 1997

In the Eye of the Tiger: A Survey of Contemporary Korean Art
June 15, 1997

The Fundamental Theology of Gilbert and George (cover)
May 15, 1997

Antonio Petracca and the Order of Syntax (feature)
May 1, 1997

Video Time: Keith Sonnier and Hiroshi Sugimoto (feature)
April 15, 1997

Whitney Biennial Makes History: The End of Installation, Mac Adams and Michael Snow, and Mark di Suvero (feature)
April 1, 1997

Sidney Tillim and the Triumph of Visual Pleasure (feature)
March 15, 1997

Blanca Lloret: Beyond the Terminal Absence, and Arnold Mesches (feature)
March 1, 1997

Late DeKooning: The Problem Beneath the Pleasure, Ross Neher, Barbara Pollack, and The Ideal Object (feature)
February 15, 1997

Bill Viola's Simulated Transfiguration and Susan Bee (feature)
February 1, 1997

The Destructivism of Raphael Montarez Ortiz (feature)
January 15, 1997

The Hugo Boss Prize 1996 (cover) and Gary Hill
December 15, 1996

Kelly's Dilemma and William Steiger (feature)
December 1, 1996

Angiola Churchill at Myung Sook Lee
November 1, 1996

Warhol and Basquiat: Bad History and David Jeffery (feature)
October 1, 1996

Artaud at MOMA: Aesthetic of the Abject
November 1, 1996

Means of Abstraction: Terence La Noue and Michael Venezia
October 15, 1996

Rodney Graham at Nicole Klagsbrun
September 15, 1996

Shopping at Deitch Projects (cover)
September 15, 1996

Damien Hirst: Circus without a Tent
June 1996


Shanghai Art Museum Quarterly (Mandarin)

Artists and Globalization
2002


SPACE (Republic of Korea)

Bruce Conner: Persistence of Vision
Korean Translation
No. 368
1998

A Sign of Beauty
Korean Translation
No. 362
1998


SULFUR

The Subversive World of John Heartfield
No. 31
Fall 1992

Carolee Schneemann's Viet Flakes
No. 30
Spring 1992


Sunday Democrat and Chronicle (Rochester, New York)

William Blake Engravings (Albright-Knox Art Gallery, Buffalo, New York)
January 4, 1987

Van Gogh in Saint-Remy and Auvers (Metropolitan Museum of Art, New York City)
December 7, 1986

Jerome Witkin: Moral Visions (Pyramid Arts Center, Rochester, New York)
November 9, 1986

Winslow Homer Engravings (Hartnett Gallery, University of Rochester, New York)
October 19, 1986

Chip Lord Installation, (Visual Studies, University of Buffalo, New York)
September 21, 1986

Robert Capa/Roman Vishniac (George Eastman House, Rochester, New York)
August 24, 1986

Early Modern and Impressionist Painting from USSR
August 3, 1986

Ray Metzger (George Eastman House, Rochester, New York)
July 6, 1986

Steina and Woody Vasulka (Visual Studies, University of Buffalo, New York)
May 16, 1986

M.M. Lum Graphite Drawings (Zaner Gallery)
April 20, 1986

Aycock, Rickey, Krebs, and Mario Merz (University of Rochester, New York)
April 2, 1986

Suzanne Roth Paintings and Margaret Evans Photographs
April 6, 1986

Jeanne C. Finley Photo and Video Installation (VSW)
March 23, 1986

Longo, Sherman, Scanga, Bosman, and Lucero (SUNY Brockport, New York)
March 9, 1986

Konrad Cramer Photographs (George Eastman House, Rochester, New York)
February 9, 1986

Philip Pearlstein
January 12, 1986

American Native Artifacts, Photographs
December 29, 1985

Micha Bar-Am Photographs (George Eastman House, Rochester, New York)
December 1, 1985

India! (Metropolitan Museum of Art, New York City)
November 17, 1985

Hopper Photographs and Gail Levin
November 3, 1985

Gerald Hayes and Ed Miller (Pyramid Arts Center, Rochester, New York)
September 22, 1985

David Geiser Paintings
September 8, 1985

18th Century French Prints (Memorial Art Gallery, Rochester, New York)
September 1, 1985

Helen Frankenthaler: Works on Paper (Toronto)
August 25, 1985

Acconci Installation (Artpark, Lewiston, New York)
August 18, 1985

Niagara Exhibition (Albright-Knox Art Gallery, Buffalo, New York)
August 11, 1985

Kurt Schwitters Exhibition (Museum of Modern Art, New York City)
July 28, 1985

Don McCullin Photographs, (George Eastman House, Rochester, New York)
July 21, 1985

Karsh Portraits (Everson Museum, Syracuse, New York)
July 14, 1985

Millet Show at IBM Center (New York City)
July 7, 1985

Treasures at Eastman, 19th Century Prints
June 23, 1985

Irwin Kremen (Albright-Knox Art Gallery, Buffalo, New York)
June 9, 1985

Gilbert and George (Guggenheim, New York City)
June 2, 1985

Women's Political Art (Pyramid Arts Center, Rochester, New York)
May 12, 1985

Whitney Biennial (New York City)
April 28, 1985

Newton and Helen Harrison (Johnson Museum of Art, Ithaca, New York)
March 31, 1985

Kandinsky at Guggenheim (New York City)
March 17, 1985

Early Soviet Photographers (George Eastman House, Rochester, New York)
March 10, 1985

The Age of Caravaggio (Metropolitan Museum of Art, New York City)
March 3, 1985

Borofsky Retrospective (Whitney Museum, New York City)
February 10, 1985

Horst Janssen Prints (Memorial Art Gallery, Rochester, New York)
January 27, 1985

Lewis Hine (George Eastman House, Rochester, New York)
January 6, 1985

The Florida Picture Show, George Blakely
December 30, 1984

Saul Steinberg Drawings (Memorial Art Gallery, Rochester, New York)
December 23, 1984

Primitivism in 20th Century Art (Museum of Modern Art, New York City)
December 2, 1984

Gracie Mansion Exhibition (Pyramid Arts Center, Rochester, New York)
November 18, 1984

Stuart Sherman (Pyramid Arts Center, Rochester, New York)
November 15, 1984

Hollis Frampton Retrospective (Albright-Knox Art Gallery, Buffalo, New York)
October 11, 1984

German Expressionist Prints
October 4, 1984

Van Gogh at Arles (Metropolitan Museum of Art, New York City)
October 14, 1984

Beaumont Newhall (George Eastman House, Rochester, New York)
October 7, 1984

Frank Stella Prints (Rochester, New York)
September 2, 1984

Francois Morellet (Albright-Knox Art Gallery, Buffalo, New York)
August 5, 1984

Acconci, Oppenheim, and Burden (Artpark, Lewiston, New York)
July 29, 1984

Bernard Falcon, Photographs (George Eastman House, Rochester, New York)
July 22, 1984

International Survey at Museum of Modern Art (New York City)
June 24, 1984

William Carlos Williams, Precisionism
June 10, 1984

Adolf Fassbender (George Eastman House, Rochester, New York)
May 13, 1984

The Landscape Starts Here (Visual Studies, University of Buffalo, New York)
April 22, 1984

Introspectives, Women's Art Exhibition
March 25, 1984

The Mystic North (Art Gallery Ontario, Toronto, Canada
March 4, 1984

Guatemala Photographs (Pyramid Arts Center, Rochester, New York)
February 19, 1984

Barbara Jo Revelle and Alex Sweetman (VSW)
February 5, 1984

Michael Snow (Johnson Museum of Art, Ithaca, New York)
December 4, 1983

Motherwell Retrospective (Albright-Knox Art Gallery, Buffalo, New York)
October 9, 1983

Edouard Manet (Metropolitan Museum of Art, New York City)
October 2, 1983

Art Fabric: Mainstream (Memorial Art Gallery, Rochester, New York)
September 4, 1983


Tema Celeste

Lawrence Weiner at Whitney Museum of American Art, New York City pages 68 - 69
In Italian and English
January / February 2008

Huang Yong Ping at Gladstone Gallery, New York City pages 70 - 71
In Italian and English
June 2007

Lena Liv at Mike Weiss Gallery, New York City page 70
In Italian and English
July / August 2006

Jerry Kearns at Michael Steinberg Fine Art, New York City p. 79
May / June 2006

Kwang-young Chun at Kukje Gallery, Seoul page 82
In Italian and English
March / April 2006

Noh, Sang – kyoon at Bryce Wolkowitz Gallery, New York City pages 77 - 78
In Italian and English
March / April 2006

Logical Conclusions at Pace Wildenstein, New York City pages 69 - 70
In Italian and English
July / August 2005

Franz Kline: The Terms of Painting
No. 106
November - December 2004

Transcultures at National Museum of Contemporary Art, Athens pages 86 - 87
In Italian and English
No. 105
October 2004

Luca Pignatelli & Giovanni Rizzoli at Generous Miracles Gallery, New York City page 91
In Italian and English
October 2004

Tony Cragg at Marian Goodman Gallery
No. 102
March / April 2004

On Contemporary Art page 61
November / December 2003

Survey
No. 100
November / December 2003

The American Effect at Whitney Museum of American Art, New York City page 84
No. 99
September / October 2003

Barbara Westman at 473 Broadway Gallery, New York City
No. 97
May / June 2003

Chuck Close, Exhibition Profile
No. 96
March / April 2003

Noh, Sang-Kyoon at Bryce Wolkowitz page 77
2003

Joseph Nechvatal at Universal Concepts Unlimited, New York City page 94
No. 93
September - October 2002

The Monosemia of Bernar Venet pages 72 - 75
May – June 2002

Anya Gallaccio at LehmannMaupin, New York City page 79
November / December 2001

Dennis Oppenheim at Guild Hall Museum, New York City page 77
No. 87
June 2001

Intimate Art pages 35 - 41
No. 85
May / June 2001

Il Genere Americano (American Gender)
No. 42 - 43 (Italian Edition)
Autumn 1993

Performance and Spectacle
No. 40 (International Edition)
Spring 1993

American Gender
No. 39
Winter 1993

Reviews: Eva Hesse and Kenny Scharf
No. 39
Winter 1993

Psycho
No. 36
Summer 1992

The Investment Power of Amnesia
No. 36
Summer 1992

Morality - American Style
No. 33
Winter 1992

Reviews: Jenny Holzer, Cyrilla Mozenter, Jesse Goode, and L'Amour d'art (Lyon)
No. 33
Winter 1992

The New Endgame
No. 33
Winter 1992

Reviews: Ron Janowitz, Zorio / Bickerton / Winters, and Willard Boepple
No. 32
Fall 1991

Reviews: David Reed, David Row, Arte Debole, and Robert Rauschenberg
No. 31
May - June 1991

What Is a 'Group Show'?
No. 31
May - June 1991

Review: Les Levine
No. 30
March - April 1991

Carla Accardi
No. 30
March - April 1991

What Makes Modern Art 'Modern'? Interview With Kirk Varnedoe
No. 29
January - February 1991

Cady Noland
No. 29
January - February 1991

Review: Hamish Fulton
No. 27
1990

Review: Buzz Spector
No. 26
1990

Review: The Body: Fragments, Parts, and Wholes, curated by Saul Ostrow
No. 25
1990


Time Out New York

Per Kirkeby
Issue 39
June 19-26, 1996

Ross Bleckner
Issue 37
June 5-12, 1996

Pepon Osorio, Badge of Honor
Issue 34
May 15-22, 1996


USA Today

Duane Hanson's Documentary Sculpture pages 55 - 57
Vol. 110, No. 2442
March 1982

Frank Stella: Lines, Curves, and Indian Birds pages 53 - 55
Vol. 110, No. 2434
July 1981


The Village Voice

Letter to the Editor
Vol. XLI, No. 26
June 25, 1996

Midwest Roundup
August 18, 1987

The Look Review of John Chamberlain, MOCA
August 26, 1986


White Walls

Sequence in Art: A Theory of Image/Text Appropriation
No. 10 / 11
Spring / Summer 1984

Phrases and Revisions for "Progress Back Stroke"
No. 9
Autumn 1983


The Wichitan

Cornell, Moses Soyer, and the Great West
February 1980

New Art For the Decade Ahead
January 1980


Woodstock Center for Photography Journal

Regaining the Rights to Reproduction: Artists Who Look Back at Nature
Fall 1990


Wolgan Misool Monthly Art Magazine (Republic of Korea)

Special Feature: Gwangju Art Biennial, Interview with Robert C. Morgan (in Korean) pages 92 - 93
October 2006

Art Odyssey 2001
January 2001


Yishu

On Connoisseurship in the Marketing of Contemporary Chinese Art page 33 - 40
November / December 2009

Zhang Jian-Jun: Memory and the Process of Historical Time pages 54 - 60
September 2007

Zhang Wang pages 94 - 95
June 2005


Zeszyty Artystyczne (Poland)

Przyszlosee Krytyki Sztuki Jest Przyszoloscia Demokracji
Issue 1232-6682
2004

Books (English Editions)

Will Barnet: A Sketchbook, 1932–1934
New York: George Braziller
2009

Wild Dogs in Bali: The Art of Made Wianta
Singapore: SNP Editions
2005

Vasarely
New York: George Braziller
2004

Clement Greenberg: Late Writings
Edited by Robert C. Morgan
University of Minnesota Press
2003

Bruce Nauman
Edited by Robert C. Morgan
Johns Hopkins University Press
2002

Gary Hill
Edited by Robert C. Morgan
Johns Hopkins University Press
2000

The End of the Art World
Introduction by Bill Beckley
New York: Allworth Press (in collaboration with the School of Visual Arts)
1998

Between Modernism and Conceptual Art
Jefferson, North Carolina and London: McFarland
1997

Art Into Ideas: Essays on Conceptual Art
New York: Cambridge University Press
1996

Conceptual Art: An American Perspective
Introduction by Michael Kirby
Jefferson, NC and London: McFarland
1994

After the Deluge: Essays for Art in the Nineties
New York: Red Bass
1993

Commentaries on the New Media Arts
Pasadena, CA: Umbrella Associates
1992


Books (Foreign Language Editions)

Reflections on the Condition of Recent Chinese Art (Chinese)
Beijing, China: Hebei Provincial Publishing House of Education
2013

El Artista en el Siglo XXI/La Era de la Globalizacion (Spanish translation)
Buenos Aires: EDUNTREF (Editorial de la Universidad Nacional de Tres de Febrero)
2012

Contemporary Art in the Era of Globalization Tehran (Farsi translation)
Islamic Republic of Iran: Cheshmeh
2010

The Artist and Globalization - artysta i globalizacja (bilingual, English and Polish)
Translation: Alina Kwiatkowska and Agnieszka Grochulska
Miejska Galeria Sztuki w Lodzi
2008

Conceptual Art
Korean translation of Art into Ideas: Essays on Conceptual Art, originally published by Cambridge University Press, 1996 with new Introduction and additional chapter on Korean conceptual art
Seoul: JRM Press
2007

Del Arte a La Idea
Spanish translation of Art into Ideas: Essays on Conceptual Art, originally published by Cambridge University Press, 1996
Madrid: Akal
2003

Alain Kirili (French translation)
Paris: Flammarion
2002

Duchamp & los artistas contemporaneous posmodernos
Buenos Aires: Eudeba (Libros del Rojas)
2000

Bernar Venet, 1961 - 1970 (bilingual, French and English)
St. Etiennne: Editions des Cahiers Intempestifs
1999

El Fin del Mundo del Arte y Ostros Ensayos (Spanish translation from The End of the Art World)
Buenos Aires: Eudeba (Libros del Rojas)
1998

The Plight of Art Criticism (bilingual, Korean and English)
Seoul: Hansung University, Graduate School of Arts
1997

Koniec Swiata Sztuki (Polish translation from The End of the Art World)
Museum Artystow, Lodz
1996

Duchamp, Androgyny, Etc. (bilingual, French and English)
Paris: Editions Antoine Candau
1990

Robert Barry (bilingual, German and English)
Edited by Erich Franz
Bielefeld: Verlag Karl Kerber
1986


Anthologies and Monographs

Hans Bellmer: The Infestation of Eros
In The Fenris Wolf, Issue No. 6, edited by Carl Abrahamsson (reprinted from Anders Malmburg Edition, Stockholm, 1992)
Sweden: Edda Publishing
2013

Unraveling the Ethics in Cultural Glohalization
in Ethics and the Visual Arts edited by Elaine A. King and Gail Levin
New York: Allworth Press
2006

Expressive Carvings from Shandong Province (bilingual, Chinese and English
in True Words: Wood Sculpture Relief
Published in Hong Kong, China
2003

The End of the Art World (excerpt)
in Modern Art in the USA: Issues and Controversies of the 20th Centuries edited by Patricia Hills
Upper Saddle River, New Jersey: Prentice Hall
2000

Natalya Nesterova's Envisioning Memory
in Natalya Nesterova: Russian Wanderings
Washington: B'nai B'rith Klutznick National Jewish Museum
2000

Mario Segundo
in Mario Perez en el Museo Nacional de Bellas Artes
Buenos Aires
2000

The Language of Eros
in Noritoshi Hirakawa, Matters, 1988-1997
New York: Deitch Projects and Antwerp: Zeno X Gallery
1998

The Delta of Modernism
in Re-Dact edited by Peter Frank
New York: Willis, Locker, and Owens, 1984
Revised and reprinted in Kostelanetz ed., Esthetics Contemporary, 2nd Edition
Buffalo, New York: Prometheus Books, 1989
Spanish translation appeared in Revista Esthetica
CAYC, Buenos Aires, Fall 1991
Revised in The End of the Art World
New York: Allworth Press
1998

A Sign of Beauty
in Uncontrollable Beauty by Bill Beckley and David Shapiro
New York: Allworth Press
1998

Touch Sanitation: Mierle Laderman Ukeles
in The Citizen Artist: 20 Years of Art in the Public Arena edited by Linda Frye Burnham and Steven Durland
Critical Press. The Gunk Foundation
1998

Philip Glass: The Photographer
1984, revised 1996
in Writings on Glass: Essays, Interviews, Criticism edited by Richard Kostelanetz and Robert Flemming
New York: Schirmer Books
1997

Dorothea Tanning's Sculptural Interlude
in Dorothea Tanning
New York: George Braziller
1995

The Marking of the Mail: An Exegesis on the Criminal Pursuit of an Art Genre
First Published in New Media Arts, op. cit., 1992
in Alternative Creativity and Human Values (Free Dogs in the Galaxy) edited by Gianni Broi
Firenze (Italy): Edizioni Regione Toscana, 1995

Entretien avec Robert C. Morgan
en Richard Serra: Ecrits et Entretiens, 1970-89 Editeur Daniel Lelong, 1990
Chicago University Press (English Edition)
1993

Hans Bellmer: The Infestation of Eros
in A Hans Bellmer Miscellany
Anders Malmburg, Malmo, and Timothy Baum: New York
1993

Introduction & Art Criticism Today: Forum or Repression?
in Annals of Scholarship Vol. 10. Numbers 3/4
1993

Critical discussions of works by Isamu Noguchi, Gordon Bunschaft, and Josep Renau
in Contemporary Masterworks edited by Colin Naylor
London: St. James Press
1992

Oscar de Mejo: The Naive Surrealist
Essay by Robert C. Morgan
New York: Abrams
1992

The Miralda Honeymoon Celebration in Las Vegas
in Honeymoon Miralda
Las Vegas Reno, Nevada: Nevada State Council on the Arts
1992

Marcel Delmotte
Essay by Robert C. Morgan
Nahan Galleries (in collaboration with Galerie Isy Brachot, Bruxelles)
1991

Haim Steinbach: Monograph of an Exhibition (French)
Bordeaux: Capc Musee d'Art Contemporain
1990

Joseph Nechvatal: Laminations of the Soul (bilingual, English and French)
in Joseph Nechvatal
Paris: Antoine Candau Editions
1990

La Situacion del Arte Conceptual Desde (bilingual, Spanish and English)
in Arte Conceptual Revisado edited by Juan Vicente Aliaga and Jose Miguel Cortes
Universidad Poletechnica de Valencia
1990

Systemic Books by Artists
in Artists' Books: A Critical Anthology and Sourcebook edited by Joan Lyons
Rochester, NY: Peregrine Smith Books and Visual Studies Workshop Press
1985

Asparagus and Chrysanthemums = Sentimentality and Power
in The Un/Necessary Image edited by Muntadas and D'Agostino
New York: Tanam Press / Cambridge: Committee on the Visual Arts, MIT
1983


Exhibition Catalogs

Things As They Are and/or As They Might Be: Notes on Richard Artschwager's Running Man
in Richard Artschwager: No More Running Man.
Gagosian Gallery, New York City
January - Februray 2014

Yasumasa Morimura's Kingdom of Art
in Yasumasa Morimura: Theater of the Self
The Andy Warhol Museum, Pittsburg, Pennsylvania
October 2013 - January 2014

Feldscott’s Threshold
in Feldscott: Cries, Chants, Shouts and Whispers - Songs of the Forgotten
Meridian Gallery, San Francisco, California; Studio Vendome, New York City; and Art Miami, Miami Beach, Florida
2013

Illuminating the Invisible: Shen Chen’s Recent Paintings
in Between the Lines: Paintings by Shen Chen
Canvas International Art, Amsterdam, The Netherlands
The Once Wild West: Ludvic's Chieftains and Herdsmen
in Ludvic: Don't Fence Me In
Desert Caballeros Western Museum, Wickenburg, Arizona
October 2012 - January 2013

Brian Clarke: Nerves of Ecstasy
in Brian Clarke: Between Extremities
Pace Gallery, New York City
January - February 2013

Composing the Nude: Paintings by Sam Posey
for Sam Posey at Ober Gallery, Kent, Connecticut
May - June 2013

The Performance Itself: Marit Folstad and the Distant Subject
in Melody of Certain Damaged Lemons
Printed by Elanders Falth & Hassler: Sweden
2012

Pop Revisionism: Paper Works by Lee Seung-oh (bilingual, English and Korean)
for Lee Seung-oh at Gallery Seo Hwa, Seoul, Republic of Korea
October - November 2012

Hassel Smith and the Sculpture of Abstract Painting
in Hassel Smith: Paintings 1937-1997
Published by Prestel Verlag: Munich, London, New York
2012

Eros, Exorcism, and Eruption
in Nancy Crossman: Tough Life Diary, edited by Ian Berry
The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Spring, New York
February - May 2012

Virtual Volumes: Optical Sculpture by Rafael Barrios
in Rafael Barrios: The Park Avenue Project
Park Avenue, New York Cty
March - June 2012

Structure, Light, Music: The Classical Memory of Liu Ye
in Liu Ye: Bamboo Bamboo Broadway
Sperone Westwater, New York
September - October 2012

Pedro Diego Alvarado: The Poetics of Painting (bilingual, English and Spanish)< br /> in Pedro Diego Alvarado: Forma y Metafora / Une Seleccion de Obra 1983-2012
2012

Illusion and the Tactile Sensation in Painting
in Vangelis Rinas: Palimpsests of Time
Tenri Cultural Institute, New York City
2012

Ecstasy in Painting: Portraits beyond Portraiture
in La Alteridad en el Espejo: Retratos Expresionistas de Johan Falkman
Printed by Trykeri AB CA Anderssen: Malmo, Sweden
2012

Kimsooja: Time, Temporality, and the persistence of the Void (bilingual, French and English
in Kimsooja: Exposition au Musee d’Art Moderne
Saint-Etienne Metropole, France
2012

Ha, Chong-Hyun: A Tactile Response to a Virtual World (bilingual, Korean and English)
in The Conversation: The Artist, Critics and Audience
National Museum of Contemporary Art, Korea
2012

Aura of Disappearance
in Zhang Huan
Edouard Malingue Gallery, Hong Kong
May - June 2011

The Execution of the Soul: Recent Paintings by Jose Manuel Ciria
in Ciria: Rorschach Heads
Stux Gallery, New York City
2011

Time-Based Earth (bilingual, German and English)
in Die Letzte Freiheit: The Last Freedom
Published by Silvana Editoriale: Milan, Italy
2011

Rereading the Sources: Ad Reinhardt and American Abstract Painting
in Ad Reinhardt: Works From 1935 – 1945
The Pace Gallery, New York City
September 6 – October 15, 2011

Experience, Consumerism and Identity: Five American Artists in Guangzhou, Summer 2011 (bilingual, Chinese and English)
in Shift: Exhibition on Young American Artists Creating On-Site Artwork in China
Times Museum, Guangzhou, China
2011

Conversation with John Cross
in John Cross (exhibition catalog)
Carrie Haddad Gallery, Hudson, New York
2011

Eternal Moments: Artists who Explore the Prospect for Happiness
in Psychedelic: Optical and Visionary Art Since the 1960s
San Antonio Museum of Art in association with The MIT Press, Cambridge, Massachusetts
2010

The Point of Transition: Ceramic Sculpture by Paul Chaleff (bilingual, Korean and English)
Gallery Seomi, Seoul, Korea
November - December 2010

Paintings of Celestial Terrains by Lei Zhen Hua (bilingual, English and Chinese
New Gallery on Old Bailey Contemporary Art International, New York City
2010

To Respond to the Moment without Forgetting: Contemporary Brush Painting by Wei Ligang (bilingual, Chinese and English)
in Gold Unicorn: Graphimage by Wei Ligang
Contrast Gallery, Shanghai, China
2010

The Shape of Time in Maritime Yeosu (bilingual, Korean and English)
in The Shape of Time: From Micropolis to Metropolis - 2010
Yeosu International Art Festival. Yeosu, Korea
2010

Along the Road: Jayne Holsinger's Women Drivers
in Jayne Holsinger: Women Drivers
Pensacola Museum of Art, Pensacola, Florida
2010

Robert Morgan and the Art of Perception
in Robert Morgan Against the Current
Galleria S. Eufemia, Venice, Italy
2010

Painting as Allegory: The Art of Marcia Gygli King
in Marcia Gygli King: Forty Years
San Antonio Museum of Art, Southwest School of Art & Craft and UTSA, 2009

Emerging Glass Artists at Gallery Sklo
for Gallery Sklo's 5th Anniversary Exhibition, Seoul, Korea
December 2008 - January 2009

Forms of Containment: Reflections on Digital Stone Carving in China
in Digital Stone Exhibition: The intersection of Art and Technology
Today Art Museum, Beijing; Duolun Museum of Modern Art, Shanghai; and Jinse Gallery, Chongqing, China
October 2008 - January 2009

The Transportation of Time: Figurations by Lee, Yong Deok
published by PYO Gallery, Seoul, Korea
September 2008

,p2> The 108 Bows and the Art of Grace Rim (trilingual, French, English, and Korean
in Jungwook Grace Rim: 108 Bows for 108 Anxieties
Tenri Cultural Institute, New York City
April 2008

Infinity Made Tactile; A Recent Hypothesis by Slawomir Marzec (bilingual, Polish and English
in Slawomir Marzec: Around Visibility
Miejska Galeria Sztuki w Lodzi, Poland
2008

Regaining Silence: The Modernism of Park Seo Bo (bilingual, Korean and English)
for Park, Seo-Bo, Gallery Shilla, Seoul, Korea
September 2008

Art in Everyday Life (bilingual, Korean and English)
in Hi! Heels Project Lee Jung Yoon
Gong Gallery, Seoul, Korea
June 2008

Ha Chong Hyun: The Traces on the Wall
in Ha Chong Hyun
Gana Art Center, Soeul, Korea
February - March 2008

Border Crossing: Painting for a New Era (bilingual brochure, Japanese and English)
for Keiko Hara, Donald Groscost and Rene Pierre Allain: COHJU Contemporary Art
Kyoko International Community House, Kyoto, 2008

Paint a Bird: Paradox and Reality
for Ye Yongqing at Time Square Gallery, New York City
2008

Passages and Doorways: The New Abstract Painting in China
(bilingual, Chinese and English)
in Qi Yun: The International Traveling Exhibition of Chinese Abstract Art
Shenzhen, Beijing, and New York
2007 / 2008

Hai Tao - Landscape of Music
in Dancing Mountains - The Landscape of Hai Tao
Wooster Art Space, New York City
February 2007

Reviving the Edge in Optical Painting
for The Optical Edge, Pratt Manhattan Gallery, New York City
March 8 – April 14, 2007

Keiko Hara’s Springtime, Shreds of Language
in Keiko Hara: Imbuing in Monet
Perimeter Gallery, Chicago, Illinois
2006

Ecstasy and Expression: Ludvic’s Poems and Folksongs
in Ludvic: Poems and Folksongs
Artspace (Robert Roman Gallery), Scottsdale, Arizona
2006

Peter Zvi Malkin: Paintings of Feeling and Intuition
in Peter Z. Malkin, Painting 1961 – 2004
Perry Fine Art, New York City
2006

Yin Zhaoyang: The Suspension of Opposition without Resolution (bilingual, Chinese and English)
in Yin Zhaoyang’s New York
Tang Contemporary Art, Beijing and Bangkok
2006

Filippo Sciascia's Uncertain Allegory
in Video>Painting 2004/2006
Printed by Mahameru Offset Printing: Jakarta, Indonesia
2006

The Contemporary Icons of Nikos Kypraios (brochure)
in Nikos Kypraios: Icons.
Leepa-Rattner Museum, St. Petersburg College, Tarpon Springs, Florida
November 13, 2005 – January 8, 2006

Wei Dong's Ironic Dreams (bilingual, Chinese and English
in Wei Dong: Perfumed Paradise
Hanart T Z Gallery, Hong Kong
September 2006

Masaaki Noda: Circumventing Apollo’s Mirror
at Astrolavos Art Gallery, Athens, Greece
2005

Robert Delford Brown’s Action Gluings
for Collaborative Action Gluings, Editions and Archive
Francesco Conz, Verona, Italy
2005

Rifka Milder’s Sanctuaries of Color (bilingual)
in Rifka Milder: Reflections
Galeria Isabel Ignacio, Seville, Spain
2005

Donald Groscost: Towards a Perception of the Real (bilingual)
in Donald Groscost: Works 1999 – 2004
Gothaer, Cologne, Germany
2005

Denis Farrell: The Intimate Palimpsest
in Denis Farrell: New Paintings 2005
Irish Arts Center, New York City
2005

Angel Orensanz’s Material Metaphor: The Birth-Death Syndrome and the Reappearance of Non-Being
in Angel Orensanz: Earth: Death – Birth
Alexander Pushkin Museum, Moscow, Russia and State Russian Museum at Rumyantzev Palace, St. Petersburg, Russia
2005

Merrill Wagner: Further Affinities
Sundaram Tagore Gallery, New York City
2005

John Mullen: Incursions, Paintings 2005
at Howard Scott Gallery, New York City
2005

The Organic Past: New York Artists in the Forties
in Organic New York, 1941 – 1949
Michael Rosenfeld Gallery, New York City
2005

R. Kostelanetz: Scribe from the Outside
in Big Birthday Book: A Festschrift for Richard Kostelanetz’s 60th (or 65th) Year
Libros de Barba, New York City
2005

Lena Liv: In Praise of Shadows
in Lena Liv
Andrea Meislin Gallery, New York City and Edizioni Centro Sperimentale di Arte Contemporanea, Firenze, Italy
2005

Julian Stanczak Constellations: Niania’s Multiples and Related Works
in Julian Stanczak: Constillation and Color - Four Decades of Painting
Stux Gallery, New York City
January / February 2005

The Point of No Return (bilingual, English and French)
in Bent Holstein: Paintings/Peintures Malerier
Printed in Denmark
2005

The Right Harmonic: The Paintings of Edwin Ruda (bilingual, English and Italian)
in Edwin Ruda, New York City
2004

Giordano Pozzi: Constructing Emotions (bilingual, English and Italian)
in Giordano Pozzi
Maurizio Corraini Edizioni
2004

Youngnam Cho
at Gallery Korea, New York City
2004

Sylvia Wald: Living Art
at Tenri Cultural Institute, New York City
2004

Thomas Lanigan-Schmidt: Stapled to the Soul
at Pavel Zoubok Gallery, New York City
2004

Willy Ramos: Secrets de la Delia
in Willy Ramos: Nabusimake
Meseo de la Ciudad de Valencia, Spain
2004

Fred Eversley’s Eternal Delight
in Fred Eversley: New Work
Osuna Art, Kensington, Maryland
2004

Sook Jin Jo: The Art of Wishing
in Sook Jin Jo: Collaborative Public Art, Sculpture and Drawings 1994-2004

Angiola Churchill: Falling Water
in Angiola Churchill: Paradise Revisited
Tenri Cultural Institute, New York City
2004

Hanneke Beaumont: The Urgent Moment
in Hanneke Beaumont
Heidi Neuhaus Gallery, New York City
2004

The Phenomenology of Robert Yasuda
in Robert Yasuda
Elizabeth Harris Gallery, New York City
2004

The Right Harmonic: The Paintings of Edwin Ruda
in Edwin Ruda (privately printed)
New York City
2004

Painting New York with the Painted Korean Flag
in Youngnum Cho
Gallery Korea, New York City
June - July, 2004

Eric Finzi: Tales of Oswego
at Walter Wickiser Gallery, New York City
2003

Bill Beckley: Deirdre’s Lip (catalog)
for Galerie Hans Mayer, Dusseldorf, Germany and Galerie Park Ryu Sook, Seoul, Korea
2003

L’evacuation de Rabascall
in Rabascall: One Retrospective 1967-2000
Villa Tamaris Centre de Art, La Seyne-sur Mer, France
2003

Expressive Carvings from Shondong Province (bilingual, Chinese and English)
in True Words: Wood Sculpture Relief by a Group of Artists from Shandong, China
2003

Robert Barry: Language and Silence
in Some Places Which We Can Come: Robert Barry, Works 1963 to 1975
Kunsthall Nurnberg, Germany
September 18 – November 16, 2003
Aargauer Kunsthaus Aarau, Aarau, Switzerland
May 15 – August 15, 2004

A Voyage Through the Eyes of the Figure: The Paintings of Lita Cabellut (bilingual, Spanish and English)
in Lita Cabellut: The Forms of the Spirit
Ollero y Ramos, Madrid, Spain
2002

The Cosmic Energies of Aviva Baal-Teshuva (bilingual, Russian and English)
in Aviva Baal-Teshuva: Paintings, Gouaches, Collages
State Russian Museum, Ludwig Museum in the Russian Museum, St. Petersburg: Palace Editions
2002

Marcia Marx: Allegories of the Figure (bilingual edition)
The Mexican Cultural Institute, New York City
2002

Marta Chilindron: Common Mysteries
in Marta Chilindron: Sculptures. Geneva, Switzerland: Dot Editions
2002

The World Mandala: Neil Tetkowski's Common Ground World Project
in Common Ground World Project
United Nations Headquarters, New York City
2001

What Is an Image?
in Günter Selichar: Screens
Espai Lucas, Valencia, Italty and Project Space Kunsthalle Wien, Vienna, Austria
2001

Painted in New York City: The Presence of the Past
in Viewpoints of Recent Developments in Abstract Painting
Hofstra University, Hempstead, New York
2001

David Remfry: Lunar Creatures
Heidi Neuhoff Gallery, New York City
2001

Joan Thorne: Mythical Journeys, Power and Flight
in Joan Thorne
Andre Zarre Gallery, New York City
2001

The Phantasmagoria of Omer Uluc
in Omer Uluc
Trans Hudson Gallery, New York City
2001

Sook Jin Jo: Wood Metal, Glass, Paper
at Ok Harris Gallery, New York City
2001

To The Magnificent Paolo Barrile
in 2001: IL FUTURO E’ INDECIFRABILE
Antonio Battaglia Arte Contemporanea, Milano, Italy
November 2001

Tong Yang-tze: The Art of Renewing Itself
in The Paintings of Tong Yang-tse
Goedhuis Contemporary, London, Englang
2001

Space Shifts: The Art of Jan Zakrzewski
in Wlodzimierz Jan Zakrzewski: Points of Reference
The Xawery Dunikowki Museum at the Królikarnia, National Museum, Warsaw, Poland
2000

Straight Painting (brochure)
in Straight Painting
The Painting Center, New York City
2000

Agora (brochure)
in Antonia Papatzanaki's Agora
Pratt Institute, New York City
2000

Wlodzimierz Ksiazek: The Ineffable Painting (brochure)
in New Paintings
Alpha Gallery, Boston, Massachusetts
2000

River Mist: New Paintings by David Geiser
in New Paintings
Butters Gallery LTD, Portland, Oregon and Centro Cultural Birges, Buenos Aires, Argentina
2000

Nuevas Pinturas de David Geiser (brochure)
in David Geiser, Pinturas
Municipalidad de La Plata, Argentina
2000

Modern Dreamtime
in Ryszard Wasko
The International Artists' Museum, Tel Aviv, Isreal
2000

Juri Kim: Aspiration of Silence
in Juri Kim. A.I.R. Gallery, New York City
2000

Mario Segundo Pérez (essay)
El Museo Nacional de Bellas Artes, Buenos Aires, Argentina
2000

Catherine Lee (essay)
Galerie Academia, Salzburg, Austria
2000

René Pierre Allain: Formalism after Postmodernism
in René Pierre Allain: Disjunctures
Galerie De Bellefeuille, Montreal, Quebec, Canada
2000

The Reversal of Form as Pure Space
in Tadaaki Kuwayama
Uniplan International, Kerpen/Cologne, Germany
2000

Composing Abstract Form
in Mariano Moroni: La Composizion della Forma Astratta
San Benedetto del Tronto, Palazzina Azzurra, Milan, Italy
2000

Cristobal Gabarron at the Olympic Museum
in Gabarron: Olympic Dreams
Musee Olympique, Lausanne, Switzerland
1999

Berrocal: El Misterio de la Existencia
in Berrocal Centro
Cultural del Conde Duque, Madrid, Spain
February - March, 1999

Cristobal Gabarron at the Olympic Museum
in Gabarron: Olympic Dreams
Musee Olympique, Lausanne, Switzerland
February 18 - June 13, 1999

Representing the Anti-Monument: Recent Work by Steven Montgomery
in Steven Montgomery
Everson Museum of Art, Syrracuse, New York
May 16 - July 12, 1998
OK Harris Gallery, New York City
November 21, 1998 - Jan. 2, 1999

Fragment/Fragmente: Paintings and Castings by Judith Uehling
in Fragmente: Paintings and Castings by Judith Uehling
A.I.R. Gallery, New York City
January 26 - February 13, 1999

Penelope Umbrico: Signs Within the Inventory
in Penelope Umbrico: Fom Catalogues
Julie Saul Gallery, New York City
January 17 - February 21, 1998

John Ferren's The New York Paintings
in John Ferren: The New York Paintings, 1950's - 1960's
Katharina Rich Perlow Gallery, New York City
November 7 - December 3, 1998

Pleasure and the Deterioration of Will
in 22/21 Vision, curated by Dan Devine
Emily Lowe Gallery, Hofstra Museum, Hofstra University, Hempsted, New York
September 8 - October 25, 1998

Linda Cross: Shifting Tensions
in Linda Cross: Shaping the Land
The Albany Center Galleries, Albany, New York
July 17 - August 28, 1998

Augustua Goertz: Eros and Surface Depth
in Augustus Goertz
Patricia Correia Gallery, Santa Monica, California and Kim Foster, New York City
1997

Fabrian's Fantastic Fifty
in Fabian Cereijido
Consulado General de Argentina, New York City
February 13 - March 12, 1997
Centro Cultural Borges, Galerias Pacifico, Buenos Aires, Argentina
May - June 1997

Art Outside the Museum (bilingual, English and German)
in The Age of Modernism: Art in the 20th Century, edited by Christos M. Joachimides and Norman Rosenthal
Zeitgeist-Gesellschaft, Verlag Gerd Hatje
1997

The Symbolic Surface in Abstract Painting
in After the Fall: Aspects of Abstract Painting Since 1970, curated by Lilly Wei
Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York
March 27 - September 7, 1997

The Assembled Paintings of Ji-Myung Kim
in Ji-Myung Kim: Resonant Planes
Pleiades Gallery, New York City
October 21 - November 8, 1997

Untitled Statement (bilingual, German and English)
in Tadaaki Kuwayama
Japanisches Kulturinstitut, Koln, Germany
1997

New York Diversity
in Diversity: California/New York, curated by Peter Selz and Robert C. Morgan
Hugo de Pagano Gallery, New York City
April 9 - May 3, 1997

Rancor's Obsession: The Paintings of Ford Crull
in Ford Crull: Secrets and Parables, Works on Paper, 1983-1997
Art Gallery, Williams Center for the Arts, Lafayette College, Easton, Pennsylvania
November 6 - December 10, 1997

Alice from the Lower East Side: New Paintings by Michael Odnoralov
in Michael Odnoralov: Alice from the Lower East Side
Lehman College Art Gallery, City University of New York
October 16, 1997 - January 2, 1998

Reflections on the Paintings of Gary Lang
in Gary Lang: Testimonials
The Claremont Graduate University, East Gallery, Claremont, California
December 1, 1997 - January 9, 1998

Plus and Minus
in Sang Nam Lee
B4A Gallery, New York City
September 10 - October 12, 1993
Reprinted in Korean, Hyundai Gallery, Seoul, Korea,
1997

The Interior Landscapes (bilingual, English and Italian)
in Franca Marini
Elizabeth Harris Gallery Seo Hwa, New York City
May - June 1996

Kyung Ja Kim: Nature's Rhythm - Paintings of Time and Space (bilingual, English and Korean)
in Kyung Ja Kim
Gallery Korea, Seoul, Korea
1996

Path Soong: Reverberation (brochure)
June Kelly Gallery, New York City
1996

Sungpyo Han (brochure)
Myung Sook Lee Gallery, New York City
1996

Jong Sik Lim: The Power of Abstraction
in Jong Sik Lim
Hyundai Art Gallery, Seoul, Korea
1996

Paik's Fragments
in The Electronic Super Highway: Travels with Nam June Paik
Carl Solway Gallery Cincinnati, Ohio; Holly Solomon Gallery, New York City; and Hyundai Gallery, Soeul, Korea.
Published in cooperation with the Fort Lauderdale Museum of Art, 1995
Reprinted in Korean, Nam June Paik. Hyundai Gallery, Souel, Korea
1996

Das Sichbare von Innen / Dentro de lo Visible / Inside the Visible
in Gunther Selichar: Sources
Kunstverein Steyr, 1995; Espai Pascual Lucas Valencia, 1995; and Galerie Fotohof Salzburg, 1996

Thomas Bang's Ironic Inwardness (bilingual exhibition catalog, Danish and English)
in Thomas Bang Retrospektiv
traveling exhibition organized by Nikolaj, Copenhagen, Denmark
1995-96

Tense Presence-Tense
in Ruth Pastine: East Meet West
The Claremont Graduate School of Art, Claremont, California
1996

Linda Schrank: Monotypes
in Linda Schrank
Sala del Consiglio, Palazzo Comunale, Lucignano, Italy
1996

Untitled Essay (brochure)
in Robert Barry: Fellow Workers
Galerie Bugdahn, Dusseldorf, Germany
October 28 - December 2, 1995

Paintings of Visceral Abstraction
in Groins and Plotters: Works by Andrzej Siwkiewicz
1112 Gallery, Chicago, Illinois
1995

Metamorphoses
in Dutch Door: Toon Kuijpers, Govert Heikoop, and Terry Thompson
Butters Gallery, Ltd., Portland, Oregon
May 4 - 27, 1995

Mimmo Catania: Transponierung der Zeichen
in Schattenspung / Przeskoczenie Cienia
Zentrum fur Zeitgenossische Kunst - Ujazdowski Schloss, Warschau, Poland and Museumspadagogischer Dienst, Berlin, Germany
1995

Pamela Wye: Paintings and Drawings (essay for brochure)
Luise Ross Gallery, New York City
February 25 - March 25, 1995

Federica Marangoni: Video Tactility
in Federica Marangoni: Fragments
Holly Solomon Gallery, New York City
March 18 - April 22, 1995

Amplified Art
in Paolo Barrile: Earth Age, Plastic Age, ...Age (Amplified Art)
Edizioni Armadio Officina, Milano, Italy
1994

Immanence and Containment: Paintings by William Steiger
in William Steiger
Condeso/Lawler Gallery, New York City
March 1 - 26, 1994

The Silent Grammar of Robert Kuszek
in Robert Kuczek: Recent Work
Stephen Rosenberg, New York City
February 1 - March 5, 1994

Holding the Ground - The Ethos in Painting: Marcia Hafif's Inventory
in Marcia Hafif: From the Inventory
Kunst Und Museumsverein Wuppertal / Kunsthalle Barmen Im Haius Der Jugend Wuppertal, Barmen, Germany
January 30 - March 27, 1994

James Hill
in James Hill: Go There
Bill Maynes Contemporary Art, New York City
May 1994

Koki Doktori (bilingual, English and Hebrew)
in Doktori Longing
The Museum of Israeli Art, Ramat-Gan, Isreal
March 24 - May 31, 1994

Sedaka's Abstract Vision
in Michal Sedaka: The Writing on the Wall
State Art Museum, Plovdiv, Bulgaria
May 1994

Ming Fay (exhibition brochure)
Butters Gallery, Portland, Oregon
June 1 - July 16, 1994

Joseph Nechvatal: Virus Project (gallery announcement in French)
Espace d’Art, Yvonamor Palix, Paris, France
March 3 - May 7, 1994

Matter into Spirit: Recent Works by David Geiser and Ming Fay (essay)
Kim Foster Gallery, New York City
September 1994

Symbolic Surface (essay)
Klarfeld Perry Gallery, New York City
September 7 - October 7, 1994

Marinoff's Inner-Nature
in Marinoff
Andre Zarre Gallery, New York City
September 8 - October 1, 1994

Lisa Zwerling's Mythical Paradise
in Lisa Zwerling
First Street Gallery, New York City
November 29 - December 17, 1994

Suspended Landscapes (essay)
M-13 / Howard Scott Gallery, New York City
December 1994

Logo Non Logo (essay)
Exhibition curated with Pierre Restany
Thread Waxing Space, New York City
November 17 - December 23, 1994
Traveled to Art Museum, University of South Florida

The Post-Dialetical Index (bilingual, Italian and English)
in The Post-Dialetical Index
Lattuada Studio, Milan, Italy and Horodner Romley, New York
1993

The Art/Omi Experience
in ART / OMI
1992
Catalog produced by Art/Omi, New York City
1993

In the Meditative Spirit
in Michael Hoskins: Paintings 1991 - 1993
Butters Gallery, Ltd., Portland, Oregon
1993

Commedia is the Message: The Sculptural Icons of John Frame
in John Frame
Jan Turner Gallery, Los Angeles, California
1993

Where Mind Meets Body: The Expressionism of Grimanesa Amoros (catalog essay for exhibition)
in Grimanesa Amoros: Amoros' Voyage
Javier Lumbreras Fine Art
1993

Room 507, Grand Hotel Orbis, Lodz (Poland)
in Josef Ramaseder: Constructionin Process IV
October 6 - 8, 1993
Brochure published by Ramasederin New York, 1994

Expressionism and the Romantic Self: New Paintings by Christian Peltenburg-Brechneff (bilingual, German and English)
in Christian Peltenburg-Brechneff: Paintings 1988-1993
Daniel Blaise Thorens Fine Art Gallery AG, Basel, Switzerland
1993

Celebrating the American Vernacular: The Paintings of Loren Munk
published by Loren Munk, New York City
1993

Half-Truth: Performance and the Photography
in Action/Performance and the Photograph
Turner/Krull Gallery, Los Angeles, California
July - August 1993

Nechvatal's Visionary Computer Virus (bilingual, Frenchand English)
in Joseph Nechvatal: Computer Virus Project
Saline Royale at Arc et Senans, France
September - November 1993

Journeys Between Night and Day: Recent Paintings by Vladimir Jan Zakrzewski (with Polish translation)
in Wtodzimlerz Jan Zakrzewski
Galeria Foksal, Warszawa, Poland
April 1993

Time, Space, and Memory
in Jae Sook Hwang
Kwan-Hoon Gallery, Seoul, Korea
April 7 - 13, 1993

Nancy Graves: Translucency
in Nancy Graves: Recent Works
Fine Arts Gallery, University of Maryland, Baltimore (traveling exhibition)
1993

Huebler's Phenomenology (text in English)
in Douglas Huebler: "Variable" etc.
F.R.A.C. Limosin, Limoges, France
1993

Venet's Indeterminacy (bilingual, Japanese and English)
in Bernar Venet
Person's Weekend Museum, Tokyo, Japan
November 20, 1992 - February 14, 1993

Something About Nothing: Stone Sculptures by Sacho Sosno
in Sacho Sosno
Marisa del Re Gallery, New York City
1992

Ludwig Sander and the Elegance of Painting (trilingual, English and French and German)
in Ludwig Sander
ACA Galleries, New York City
1992

Guntram Gersch
Lloyd Shin Gallery, Chicago, Illinois
December 2 - 6, 1992

The Strange Case of Robert Delford Brown, Iconoclast
in IKONS: of the First National Church of the Exquisite Panic, Inc.
Fondazione Mudima, Milan, Italy
1992

The Abstract Paintings of Kwong Lum
in Kwong Lum
Stephen Rosenberg Gallery, New York City
1992

Tyler Turkle's Formal Wit
in Tyler Turkle: Plastic Criteria
Contemporary Art Museum, University of South Florida, Tampa, Florida
1992

Declassified (reprinted from Real-Life Magazine #20)
Horodner Romley Gallery, New York City
1992

Die Kunst und Archeologie von Alison Knowles
in Fluxus Da Capo 1962-92
Nassauischer Kunstverein, Weisbaden, Germany
1992

The Formal Conceptualism of Wenda Gu (bilingual, Italian and English)
in Wenda Gu: Refound Oedipus Complex
Galleria Enrico Garibaldi, Milano, Italy
1992

Heroic Signs Without a Hero (bilingual, Italian and English)
in Angiola Churchill: Opere Recenti
Galleria Civica d'Arte Moderna, Palazzo del Diamanti, Ferrara, Italy
September 12 - October 18, 1992

Le Supra, L'Infra, La Metamorphose
in Excess in the Techno-Mediacratic Society
Musee Serrat et Grozon, Ville d'Arbois, France, traveling Exhibition to Vienna, Munich, and Los Angeles, curated by Joseph Nechvatal
1992-93

Rabascall's Evacuation
in Joan Rabascall
Galerie Donguy, Paris, France
1991

Hot and Cold: Recent Glass Works by Michael Taylor and Concetta Mason (brochure)
Memorial Art Gallery, University of Rochester, New York
1991

Marriage - Exorcism - Miralda
in Miralda
Holly Solomon Gallery, New York CIty
1991

The Enduring Art of the Sixties
in The Art of the Sixties: Selections from the Collections of Leo Castelli and Ileana Sonnabend, curated by Sam Hunter
August 8 - September 24, 1991

Statement, Triangle Artists' Workshop (10th Anniversary)
Lisdan Gallery, Bennington College, Vermont
1991

Statement, Zigi Ben-Haim
Cologne Art Fair, Germany
1991

Arte Debole and the Split Subject (Matter)
in Arte Debole
Queens College Art Gallery, New York City
1991

Eric Verhal (bilingual, Flemish and English)
Beeld / Spraak
Willemsonds, Ghent
1991

Franz Erhard Walther and Question of Pre-Architectural Space
in Franz Erhard Walther
Zilkha Art Gallery, Wesleyan University, Connecticut
1988
Reprinted and translated in German, 1990

Marianne Heske: Mountains of the Mind
The Clocktower, New York City (sponsored by Norwegian Consulate)
1990

Nancy Grossman, Ariane Lopez-Huici, Aura Rosenberg, Carolee Schneemann, Joan Semmel
at Nahan Contemporary
1990

Dorothea Tanning: Messages
at Nahan Contemporary
1990

Peggy Cyphers
at E.M. Donahue, New York City
1990

Electrified Aura
at Nahan Contemporary, New York City
1990

Disruptive Signs: New Work by Arnold Mesches
in Arnold Mesches: Paintings and Collages
Easthampton Center for the Arts, Long Island, New York
1990

The Process of an Internal Time-Consciousness
in Jacob El Hanani
Galerie Johannes Vermeer, Paris, France
1990

Robert Barry, Vladimir Zakrzewski, Marianne Heske
at Nahan Contemporary, New York City
1990

Peter Downsbrough: Photographs
Quatrienne Triennale Internationale de la Photographie, Charleroi (Belgium) Mussee de la Photographie
1990

A Methodology for American Conceptualism
in Conceptual Art
Conceptual Forms, Marcel Fleiss, Paris, France
1990

Hayes' Pragmatic American Formalism (exhibition brochure)
Stockton State College, Galloway, New Jersey
1990

Rabascall's Evacuation
in Joan Rabascall
Galerie Donguy, Paris
1990

Hot and Cold: Recent Glass Works by Michael Taylor and Concetta Mason
at Memorial Art Gallery, University of Rochester, New York
1990

Four Contemporary Latin American Artists (brochure)
in Contemporary Latin American Art
Tower Five Arts Gallery, SUNY College at Brockport
February 24 - April 9, 1989

The Daniel Faust Project(ion) (brochure)
Laurence Miller Contemporary Photographs
Februar 1 - 18, 1989

David Geiser's Paintings: The Detritus of the Sign
in David Geiser, Paintings '87 - '89
New York City
1989

Ideas and Ephemera: Conceptual Art, Books and Notes 1968-88 (brochure)
Curated by Leslie Tonkonow
Real Art Ways, Hartford, Connecticut
1989

Max Ernst: The Late Lithographs
at Nahan Contemporary, New York City
1989

Disappearances
Nahan Contemporary, New York City
1989

Concept – Decoratif
Nahan Contemporary (in collaboration with Holly Solomon Gallery), New York City
1989

David Merkel's Cathode-Ray Condition (brochure)
Foster Goldstrum, New York City
1989

Young K (brochure)
Rastovski Gallery, New York City
1989

The January Show and After (excerpt)
Art Conceptuel, Une Perspective
Musee de'Art Moderne de la Ville de Paris, Paris, France
1989

Alastair Noble: At the Threshold
in Alastair B. Noble
Nerlino Gallery, New York City
November 1988

Lyric Representation: Paintings by Janet Fish
in Janet Fish
Marsh Gallery, University of Richmond, Virginia
1988

Robert Barry: le Retour au Visible (in French)
in Art Conceptuel
Musee d'Art Contemporain, Bordeaux, France
October - November 1988

On the Activity of Slowing Down (bilingual, Spanish and English)
in Muntadas: Exposicion
Galeria Fernando Vijande, Madrid, Spain
1985
Reprinted in excerpted form in Muntadas: Slogans, Universidad Granada, Spain
1987

Color Field Painting, Reductivist Painting, and Minimal Art
in An American Renaissance: Painting and Sculpture Since 1940, edited by Sam Hunter
Museum of Art, Fort Lauderdale and Abbeville Press, New York City
1986

Beyond Formalism: Language Models, Conceptual Art, and Environmental Art
in An American Renaissance: Painting and Sculpture Since 1940, edited by Sam Hunter
Museum of Art, Fort Lauderdale and Abbeville Press, New York City
1986

Critique
in Allan Kaprow: Blindsight
Wichita State University, Wichita, Kansas
1980
Reprinted in Allan Kaprow (Retrospective Catalog, 1956-86), Museum Am Ostwall, Dortmund, Germany
1986

Tom Gormally: Architectonics and Archetypes
in Thomas Patrick Gormally: A Selection of Sculpture, Paintings and Drawings
Blanden Memorial Art Museum, Iowa
1984

Introduction to Revolutions Per Minute (The Art Record)
Produced by Jeff Gordon and Ronald Feldman Fine Arts, New York City (record and traveling exhibition)
1982

Abstract Painting: The New Pictorialism
in New Directions: Contemporary American Art from the Commodities Corporation Collection, traveling museum exhibition curated by Sam Hunter
1981

Photo/Documents, Photo/Narratives, and Photographs
in New Directions: Contemporary American Art from the Commodities Corporation Collection, traveling museum exhibition curated by Sam Hunter
1981

Komar and Melamid: A Retrospective (untitled essay)
Exhibition curated by Robert C. Morgan
Ulrich Museum of Art, Wichita State University, Wichita. Kansas
1980

Introduction to Artists and Books: The Literal Use of Time Exhibition curated by Robert C. Morgan
Ulrich Museum of Art, Wichita State University, Wichita, Kansas
1979-80

Happenings, Environments, and Activities by Allan Kaprow: An Exhibition of Photo-Documents and Videotapes (essay)
Exhibition curated by Robert C. Morgan
Ulrich Museum of Art, Wichita State University, Wichita, Kansas
1979