Commentaries on the New Media Arts Pasadena, CA: Umbrella Associates,1992

After the Deluge: Essays for Art in the Nineties. New York: Red Bass,1993

Conceptual Art: An American Perspective. Jefferson, NC and London: McFarland, 1994. Introduction by Michael Kirby

Art Into Ideas: Essays on Conceptual Art. London:Cambridge University Press, 1996

Between Modernism and Conceptual Art. Jefferson, North Carolina and London: McFarland, 1997

The End of the Art World New York: Allworth Press (in collaboration with the School of Visual Arts), 1998. Introduction by Bill Beckley

Gary Hill, editor. Johns Hopkins University Press, 2000

Bruce Nauman, editor. Johns Hopkins University Press, 2002

Clement Greenberg: Late Writings, editor. University of Minnesota Press. 2003

Vasarely. New York: George Braziller, 2004

Wild Dogs in Bali: The Art of Made Wianta. Singapore: SNP Editions, 2005

FOREIGN LANGUAGE EDITIONS

Robert Barry. Bielefeld: Verlag Karl Kerber, 1986, bilingual text in German and English (Edited by Erich Franz)

Duchamp, Androgyny, Etc. Paris: Editions Antoine Candau,1990 (French/English Trans.)

Koniec Swiata Sztuki (The End of the Art World), Museum Artystow, Lodz, 1996
(Polish / English Trans.)

The Plight of Art Criticism Seoul: Hansung University, Department of Painting, Graduate Schol of Arts, 1997. (Korean/English Trans.)

El Fin del Mundo del Arte y Ostros Ensayos. Buenos Aires: Eudeba (Libros del Rojas), 1998

Bernar Venet, 1961 - 1970. St. Etiennne: Editions des Cahiers Intempestifs, 1999

Duchamp & los artistas contemporaneous posmodernos. Buenos Aires: Eudeba (Libros del Rojas), 2000

Alain Kirili, Paris: Flammarion, 2002 (French edition)

Del Arte a La Idea. Madrid: Akal, 2003

Art Into Ideas, Seoul, Republic of Korea: JRM Press, 2007

ANTHOLOGIES AND MONOGRAPHS

"Asparagus and Chrysanthemums = Sentimentality and Power," in Muntadas and D'Agostino, eds., The Un/Necessary Image, New York: Tanam Press and Cambridge, Committee on the Visual Arts, MIT, 1983

"The Delta of Modernism" Re-Dact, Edited by Peter Frank. New York: Willis, Locker, and Owens, 1984. Revised and reprinted in Kostelanetz, ed., Esthetics Contemporary, 2nd Edition, (Buffalo, New York: Prometheus Books, 1989 ( Spanish Translation appeared in Revista Esthetica (CAYC, Buenos Aires), Fall 1991. Revised in The End of the Art World, New York: Allworth Press, 1998.

"Systemic Books by Artists" in Joan Lyons, ed., Artists' Books: A Critical Anthology and Sourcebook, Peregrine Smith Books and Visual Studies Workshop Press, Rochester, N.Y., 1985.

Haim Steinbach: Monograph of an Exhibition, Bordeaux: capc Musee d'art contemporain,1990 (French)

"Joseph Nechvatal: Laminations of the Soul" in Joseph Nechvatal. Paris: Antoine Candau Editions, 1990 (English and French)

"La Situacion del Arte Conceptual Desde "January Show" Hasta Nuestros Dias" in Juan Vicente Aliaga and Jose Miguel Cortes, editors, Arte Conceptual Revisado, Universidad Poletechnica de Valencia, 1990 (Spanish and English

"Entretien avec Robert C. Morgan" en Richard Serra: Ecrits et Entretiens, 1970-89 (Daniel Lelong Editeur, 1990). English Edition, Chicago University Press, 1993

Colin Naylor, ed .Contemporary Masterworks (London: St. James Press,1992) Entries include critical discussions of works by Isamu Noguchi, Gordon Bunschaft, and Josep Renau.

Oscar de Mejo:The Naive Surrealist, Essay by Robert C. Morgan. New York: Abrams, 1992        
Marcel Delmotte. Essay by Robert C. Morgan. Nahan Galleries (in collaboration with Galerie Isy Brachot, Bruxelles), 1991

"The Miralda Honeymoon Celebration in Las Vegas" in Honeymoon Miralda
Las Vegas Reno, Nevada: Nevada State Council on the Arts, 1992

"Hans Bellmer:The Infestation of Eros" in A Hans Bellmer Miscellany,
Anders Malmburg, Malmo and Timothy Baum, New York, 1993

"The Marking of the Mail: An Exegesis on the Criminal Pursuit of an Art Genre"
in Gianni Broi, ed., Alternative Creativity and Human Values (Free Dogs in the Galaxy) Firenze (Italy): Edizioni Regione Toscana, 1995. (First Published in New Media Arts, op. cit., 1992)

"Introduction" and "Art Criticism Today: Forum or Repression?" Annals of Scholarship, Vol. 10. Numbers 3/4, 1993.

"Dorothea Tanning's Sculptural Interlude" in Dorothea Tanning (New York: George Braziller, 1995)

"Philip Glass: The Photographer" (1984, revised 1996), Writings on Glass: Essays, Interviews, Criticism. Edited by Richard Kostelanetz and Robert Flemming. (New York: Schirmer Books, 1997)

"The Language of Eros" in Noritoshi Hirakawa, Matters, 1988-1997. New York: Deitch Projects and Antwerp: Zeno X Gallery, 1998

"A Sign of Beauty" in Bill Beckley and David Shapiro, Uncontrollable Beauty. New York: Allworth Press, 1998.

"Touch Sanitation: Mierle Laderman Ukeles" in Linda Frye Burnham and Steven Durland, editors. The Citizen Artist: 20 Years of Art in the Public Arena. Critical Press. The Gunk Foundation, 1998

"The End of the Art World" (excerpt) in Patricia Hills, Modern Art in the USA: Issues and Controversies of the 20th Centuries" Upper Saddle River, New Jersey: Prentice Hall, 2000

EXHIBITION CATALOGS:

"Happenings, Environments, and Activities by Allan Kaprow: An Exhibition of Photo-Documents and Videotapes" (essay), Ulrich Museum of Art, Wichita State University, 1979. Exhibition curated by Robert C. Morgan.

"Introduction," Artists and Books: The Literal Use of Time. Ulrich Museum of Art, Wichita State University, 1979-80. Exhibition curated by Robert C. Morgan.

Untitled Essay, Komar and Melamid: A Retrospective. Ulrich Museum of Art, Wichita State University, 1980. Exhibition curated by Robert C. Morgan.

"Critique" in Allan Kaprow, Blindsight. Wichita State University, 1980. Reprinted in Allan Kaprow (Retrospective Catalog, 1956-86). Museum Am Ostwall, Dortmund, 1986.

"Abstract Painting: The New Pictorialism" in Sam Hunter, ed. New Directions: Contemporary American Art from the Commodities Corporation Collection, 1981. Traveling Museum exhibition curated by Sam Hunter.

"Photo/Documents, Photo/Narratives, and Photographs" in Hunter, ed. New Directions, 1981.

"Introduction," Revolutions Per Minute (The Art Record), Produced by Jeff Gordon and Ronald Feldman Fine Arts. New York, 1982. (Record and Traveling Exhibition)

"Tom Gormally: Architectonics and Archetypes," Thomas Patrick Gormally: A Selection of Sculpture, Paintings and Drawings, Blanden Memorial Art Museum, Iowa, 1984.

"On the Activity of Slowing Down," Muntadas: Exposicion. Galeria Fernando Vijande, Madrid, 1985. (Bilingual text in Spanish and English). Reprinted in excerpted form in "Muntadas: Slogans," Universidad Granada, 1987

"Color Field Painting, Reductivist Painting, and Minimal Art" in Sam Hunter (editor), An American Renaissance: Painting and Sculpture Since 1940. Museum of Art, Fort Lauderdale and Abbeville Press, New York, 1986.

"Beyond Formalism: Language Models, Conceptual Art, and Environmental Art" in Hunter, ed. An American Renaissance, 1986.

"Lyric Representation: Paintings by Janet Fish," Janet Fish. University of Richmond, Marsh Gallery, 1988

"Robert Barry: le retour au visible," Art Conceptuel I Bordeaux (France): capc Musee d'art contemporain, 7 Octobre - 27 Novembre, 1988

"Franz Erhard Walther and Question of Pre-Architectural Space," in Franz Erhard Walther, Zilkha Art Gallery, Wesleyan University, 1988. Reprinted and translated (German) in Franz Erhard Walther, Klagenfurt: Ritter Verlag, 1990.

"Alastair Noble: At the Threshold," Alastair B. Noble, Nerlino Gallery, New York, November, 1988.

"Four Contemporary Latin American Artists," in Contemporary Latin American Art (brochure), Tower Five Arts Gallery, SUNY College at Brockport (February 24 - April 9, 1989)

"The Daniel Faust Project(ion)," (brochure), Laurence Miller Contemporary Photographs (February 1 - 18, 1989)

"David Geiser's Paintings: The Detritus of the Sign," In David Geiser, Paintings '87 - '89, New York, 1989

"Ideas and Ephemera: Conceptual Art, Books and Notes, 1968-88," (brochure) Real Art Ways, Hartford, CT, 1989 (Curated by Leslie Tonkonow)

"Max Ernst: The Late Lithographs," Nahan Contemporary, New York, 1989

"Disappearances," Nahan Contemporary, New York, 1989

"Concept - Decoratif," Nahan Contemporary, (in collaboration with Holly Solomon Gallery), New York, 1989

"David Merkel's Cathode-Ray Condition," (brochure), Foster Goldstrum, New York, 1989

"Young K," (brochure), Rastovski Gallery, New York, 1989

"The January Show and After," (excerpt) Art Conceptuel, Une Perspective, Musee de'Art Moderne de la Ville de Paris, Paris, 1989

"Marianne Heske: Mountains of the Mind," The Clocktower, New York, 1990 (sponsored by Norwegian Consulate)

"Nancy Grossman, Ariane Loopez-Huici, Aura Rosenberg, Carolee Schneemann, Joan Semmel," Nahan Contemporary, 1990

"Dorothea Tanning: Messages" Nahan Contemporary, 1990

"Peggy Cyphers," E.M. Donahue, New York City, 1990

"Electrified Aura," Nahan Contemporary, New York City, 1990

"Disruptive Signs: New Work by Arnold Mesches" in Arnold Mesches: Paintings and Collages, Easthampton Center for the Arts, Long Island, New York, 1990

"The Process of an Internal Time-Consciousness" in Jacob El Hanani, Paris: Galerie Johannes Vermeer, 1990

"Robert Barry, Vladimir Zakrzewski, Marianne Heske" New York: Nahan Contemporary, 1990

"Peter Downsbrough: Photographs" Quatrieme Triennale, Internationale de la Photographie, Charleroi (Belgium): Musee de la Photographie

"A Methodology for American Conceptualism" Conceptual Art, Conceptual Forms, Paris: Marcel Fleiss, 1990

"Hayes' Pragmatic American Formalism," exhibition brochure, Stockton State College, New Jersey, 1990

"Rabascall's Evacuation," Joan Rabascall, Paris: Galerie Donguy, 1991

"Hot and Cold: Recent Glass Works by Michael Taylor and Concetta Mason," Memorial Art Gallery, University of Rochester (brochure), 1991

"Marriage - Exorcism - Miralda," Miralda, Holly Solomon Gallery, New York CIty, 1991

"The Enduring Art of the Sixties," The Art of the Sixties: Selections from the Collections of Leo Castelli and Ileana Sonnabend, Curated by Sam Hunter (August 8 - September 24, 1991)

Statement, Triangle Artists' Workshop, 1991 (10th Anniversary), Lisdan Gallery, Bennington College

Statement, Zigi Ben-Haim, Cologne Art Fair, 1991

"Arte Debole and the Split Subject (Matter)," Arte Debole, Queens College Art Gallery, 1991

Eric Verhal, Beeld/Spraak (Gent: Willemsonds, 1991) (Flemish and English)

"Something About Nothing: Stone Sculptures by Sacho Sosno," Sacho Sosno, Marisa del Re Gallery, New York, 1992

"Ludwig Sander and the Elegance of Painting," Ludwig Sander, ACA Galleries, 1992 (Trans. French and German)

"The Strange Case of Robert Delford Brown, Iconoclast" in IKONS: of the First National Church of the Exquisite Panic, Inc. (Milan, Italy: Fondazione Mudima, 1992)

"The Abstract Paintings of Kwong Lum" in Kwong Lum (New York City: Stephen Rosenberg Gallery, 1992)

"Tyler Turkle's Formal Wit," in Tyler Turkle: Plastic Criteria (Tampa, Florida: Contemporary Art Museum, University of South Florida, 1992)

"Declassified" (Reprinted from Real-Life Magazine #20), Horodner Romley Gallery, New York, 1992

"Die Kunst und Archeologie von Alison Knowles," Fluxus Da Capo 1962-92 Nassauischer Kunstverein, Weisbaden (Germany), 1992

"The Formal Conceptualism of Wenda Gu" in Wenda Gu: Refound Oedipus Complex, Galleria Enrico Gariboldi, Milano,1992, bilingual Italian and English.

"Heroic Signs Without a Hero" in Angiola Churchill: Opere Recenti, Galleria Civica d'Arte Moderna, Palazzo del Diamanti, Ferrara (September 12 - October 18, 1992), bilingual in Italian and English

"Le Supra, L'Infra, La Metamorphose" in Excess in the Techno-Mediacratic Society. Musee Serrat et Grozon, Ville d'Arbois (France), Traveling Exhibition to Vienna, Munich and Los Angeles, 1992-93. Curated by Joseph Nechvatal

"Venet's Indeterminacy" in Bernar Venet, Person's Weekend Museum, Tokyo (November 20, 1992 - February 14, 1993) bilingual in Japanese and English

"The Post-Dialetical Index" in The Post-Dialetical Index, Lattvada Studio, Milan and Horodner Romley, NY, 1993, bilingual in Italian and English.

"The Art/Omi Experience" in ART / OMI 1992 (Catalog produced by Art/Omi, New York,1993)

"In the Meditative Spirit" in Michael Hoskins: Paintings, 1991 - 1993 (Portland, Oregon:Butters Gallery, Ltd., 1993)

"Commedia is the Message: The Sculptural Icons of John Frame" in John Frame (Los Angeles, California: Jan Turner Gallery, 1993)

"Where Mind Meets Body: The Expressionism of Grimanesa Amoros" in Grimanesa Amoros: Amoros' Voyage (Catalog essay for exhibition at Javier Lumbreras Fine Art (1993)

"Nancy Graves: Translucency" in Nancy Graves: Recent Works, Fine Arts Gallery, University of Maryland, Baltimore, 1993 (Traveling Exhibition)

"Huebler's Phenomenology" in Douglas Huebler: "Variable", etc. F.R.A.C. Limosin (Limoges, France) Text in English, 1993

"Half-Truth: Performance and the Photography," Action/Performance and the Photograph,Turner/Krull Gallery, Los Angeles, (July 10 - August 1993)

"Nechvatal's Visionary Computer Virus," Joseph Nechvatal: Computer Virus Project,Saline Royale at Arc et Senans, France (10 September - November 1, 1993), bilingual French and English

"Journeys Between Night and Day: Recent Paintings by Vladimir Jan Zakrzewski," Wtodzimlerz Jan Zakrzewski, Galeria Foksal Warszawa (April 1993) Polish trans.

"Guntram Gersch," Lloyd Shin Gallery, Chicago (ART LA 92), Dec. 2 - 6, 1992

"Time, Space, and Memory," Jae Sook Hwang, Kwan-Hoon Gallery, Seoul, Korea (April 7 - 13, 1993)

"Plus and Minus", Sang Nam Lee, B4A Gallery, New York (Sept.10 - Oct. 12, 1993); reprinted in translation, Hyundai Gallery, Seoul (Korea),1997.

"Expressionism and the Romantic Self: New Paintings by Christian Peltenburg-Brechneff" in Christian Peltenburg=Brechneff: Paintings 1988-1993 . Basel (Switzerland): Daniel Blaise Thorens Fine Art Gallery AG, 1993 , bilingual German and English

"Celebrating the American Vernacular: The Paintings of Loren Munk," Published by Loren Munk, New York, 1993

"Immanence and Containment: Paintings by William Steiger," William Steiger, Condeso/Lawler Gallery, New York (March 1 - 26, 1994)

"The Silent Grammar of Robert Kuszek," Robert Kuczek: Recent Work, Stephen Rosenberg, New York (February 1 - March 5, 1994)

"Holding the Ground -- The Ethos in Painting: Marcia Hafif's Inventory." Marcia Hafif: From the Inventory, Kunst Und Museumsverein Wuppertal / Kunsthalle Barmen Im Haius Der Jugend Wuppertal-Barmen (January 30 - March 27, 1994)

"James Hill," James Hill: Go There." Bill Maynes Contemporary Art, New York (May 1994)

"Room 507, Grand Hotel Orbis, Lodz (Poland)," Josef Ramaseder: Constructionin Process IV. (October 6 - 8, 1993), brochure published by Ramaseder in New York, June 1994

"Koki Doktori," Doktori Longing. Ramat-Gan: The Museum of Israeli Art (March 24 - May 31, 1994), bilingual text in English and Hebrew.

"Sedaka's Abstract Vision," Michal Sedaka: The Writing on the Wall Plovdiv, Bulgaria: State Art Museum (May 1994)

"Ming Fay" (exhibition brochure), Butters Gallery, Portland, Oregon (June 1- July 16, 1994

"Joseph Nechvatal: Virus Project," (gallery announcement) Espace d"Art, Yvonamor Palix, Paris (March 3 - May 7, 1994) Text in French

Matter into Spirit: Recent Works by David Geiser and Ming Fay, (essay), Kim Foster Gallery, New York (September 1994)

Symbolic Surface,(essay) Klarfeld Perry Gallery, New York (September 7 - October 7, 1994)

"Marinoff's Inner-Nature" in Marinoff. Andre Zarre Gallery, New York (September 8 - October 1, 1994)

"Lisa Zwerling's Mythical Paradise," Lisa Zwerling, First Street Gallery, New York (November 29 - December 17, 1994)

"Suspended Landscapes," (essay) M-13 / Howard Scott Gallery, New York (December1994)

"Logo Non Logo," (essay) Exhibition curated with Pierre Restany. Thread Waxing Space, New York (November 17 - December 23, 1994). Traveled to Art Museum, University of South Florida.

"Pamela Wye: Paintings and Drawings," (essay for brochure) Luise Ross Gallery (February 25 - March 25, 1995)

"Amplified Art" in Paolo Barrile, earth age, plastic age, ...age (Amplified Art), Edizioni Armadio Officina, Milano, 1994

"Federica Marangoni: Video Tactility" in Federica Marangoni: Fragments New York, Holly Solomon Gallery (March 18- April 22, 1995).

"Paik's Fragments" in The Electronic Super Highway: Travels with Nam June Paik, Cincinnati, Ohio: Carl Solway Gallery, New York: Holly Solomon Gallery, and Soeul, Korea: Hyundai Gallery. Published in Cooperation with the Fort Lauderdale Museum of Art, 1995. Reprinted in Korean translation, Nam June Paik. Seoul: Hyundai Gallery, 1996.

"Mimmo Catania: Transponierung der Zeichen" in Schattenspung/Przeskoczenie Cienia, Zentrum fur Zeitgenossische Kunst - Ujazdowski Schloss Warschau and Museumspadagogischer Dienst Berlin, 1995

"Das Sichbare von Innen / Dentro de lo visible / Inside the Visible" in Gunther Selichar: "Sources" Kunstverein Steyr (1995), Espai Pascual Lucas Valencia (1995), Galerie Fotohof Salzburg (1996)

Untitled Essay, Robert Barry: "Fellow Workers" Dusseldorf: Galerie Bugdahn (28 October - December 2, 1995) (brochure)

"Paintings of Visceral Abstraction" in Groins and Plotters: Works by Andrzej Siwkiewicz, Chicago: 1112 Gallery, 1995.

"Metamorphoses," in Dutch Door: Toon Kuijpers, Govert Heikoop, and Terry Thompson.Portland, Oregon: Butters Gallery, Ltd. (May 4 - 27, 1995)

"Thomas Bang's Ironic Inwardness," in Thomas Bang Retrospektiv (exhibition catalog in Danish and English) Traveling exhibition. Organized by Nikolaj, Copenhagen (1995-1996)

"Tense Presence-Tense" in Ruth Pastine: East Meet West. The Claremont Graduate School of Art,1966.

"Linda Schrank: Monotypes" in Linda Schrank. Sala del Consiglio, Palazzo Comunale, Lucignano, 1996.

"Kyung Ja Kim: Nature' Rhythm -- Paintings of Time and Space" in Kyung Ja Kim. Seoul, Korea: Gallery Korea, 1996 (English/Korean translation)

"Path Soong: Reverberation" June Kelly Gallery, New York, 1996.(brochure)

"Sungpyo Han" Myung Sook Lee Gallery, New York, 1996. ((brochure)

"Jong Sik Lim: The Power of Abstraction" in Jong Sik Lim. Hyundai Art Gallery, , Seoul, Korea,1996.

"Augustua Goertz: Eros and Surface Depth" in Augustus Goertz. Patricia Correia Gallery, Santa Monica, California and Kim Foster, New York City, 1997

"Fabrian's Fantastic Fifty" in Fabian Cereijido. Consulado General de Argentina, New York (February 13 - March 12, 1997) and Centro Cultural Borges, Galerias Pacifico, Buenos Aires (May - June 1997)

"Art Outside the Museum," The Age of Modernism: Art in the 20th Century, Christos M. Joachimides and Norman Rosenthal, editors. Zeitgeist-Gesellschaft, Verlag Gerd Hatje, 1997 (English/German translation).

"The Symbolic Surface in Abstract Painting" in After the Fall: Aspects of Abstract Painting Since 1970. Curated by Lilly Wei. (March 27 - September 7, 1997) Staten Island, New Yok: Newhouse Center for Contemporary Art, Snug Harbor Cultural Center,

"The Assembled Paintings of Ji-Myung Kim" in Ji-Myung Kim: Resonant Planes. New York: Pleiades Gallery (October 21 - November 8, 1997)

Untitled Statement (trans. German and English) in Tadaaki Kuwayama. Koln: Japanisches Kulturinstitut,1997

"New York Diversity" in Diversity: California/New York. Curated by Peter Selz and Robert C. Morgan. Hugo de Pagano Gallery, New York (April 9 - May 3, 1997)

"Rancor's Obsession: The Paintings of Ford Crull" in Ford Crull: Secrets and Parables, Works on Paper, 1983-1997. Art Gallery, Williams Center for the Arts, Lafayette College (November 6 - December 10, 1997)

"Alice from the Lower East Side: New Paintings by Michael Odnoralov" in Michael Odnoralov: Alice from the Lower East Side. (October 16, 1997 - January 2, 1998) New York: Lehman College Art Gallery, City University of New York

"Reflections on the Paintings of Gary Lang" in Gary Lang: Testimonials (December 1, 1997 - January 9, 1998). The Claremont Graduate University, East Gallery.

"Penelope Umbrico: Signs Within the Inventory" in Penelope Umbrico: Fom Catalogues. New York: Julie Saul Gallery (January 17 - February 21, 1998)

"John Ferren's The New York Paintings" in John Ferren: The New York Paintings, 1950's - 1960's. Katharina Rich Perlow Gallery, New York (November 7 - December 3, 1998)

"Representing the Anti-Monument: Recent Work by Steven Montgomery" in Steven Montgomery. Everson Museum of Art (May 16 - July 12, 1998) and OK Harris Gallery (November 21, 1998 - January 2, 1999)

"Fragment/Fragmente: Paintings and Castings by Judith Uehling" in Fragmente: Paintings and Castings by Judith Uehling. A.I.R. Gallery (January 26 - February 13, 1999)

"Pleasure and the Deterioration of Will" in 22/21 Vision. Curated by Dan Devine. Emily Lowe Gallery, Hofstra Museum, Hofstra University (Sptember 8 - October 25, 1998)

"Linda Cross: Shifting Tensions" in Linda Cross: Shaping the Land. The Albany Center Galleries, Albany, New York (July 17 - August 28, 1998)

"Berrocal: El Misterio de la Existencia" in Berrocal Centro Cultural del Conde Duque (Madrid) February - March 1999

Lausanne: Musee Olympique. "Cristobal Gabarron at the Olympic Museum" in Gabarron: Olympic Dreams (18 February - June 13, 1999)

"Space Shifts: The Art of Jan Zakrzewski," Wlodzimierz Jan Zakrzewski: Points of Reference. The Xawery Dunikowki Museum at the Królikarnia, National Museum, Warsaw, 2000.

"Straight Painting,"(brochure), Straight Painting, The Painting Center, New York, 2000.

"Agora," (brochure), Antonia Papatzanaki's Agora, Pratt Institute, New York, 2000.

"Wlodzimierz Ksiazek: The Ineffable Painting," (brochure), New Paintings, Alpha Gallery, Boston, 2000.

"River Mist: New Paintings by David Geiser,"New Paintings, Butters Gallery LTD, Portland, 2000 and Centro Cultural Birges, Buenos Aires.

"Nuevas Pinturas de David Geiser," (brochure), David Geiser, Pinturas, Municipalidad de La Plata, 2000.

"Natalya Nesterova's Envisioning Memory," Natalya Nesterova: Russian Wanderings, B'nai B'rith Klutznick National Jewish Museum, Washington, 2000.

"Modern Dreamtime," Ryszard Wasko, The International Artists' Museum, Tel Aviv, 2000.

"Juri Kim: Aspiration of Silence," Juri Kim, A.I.R. Gallery, New York, 2000.

Essay, Mario Segundo Pérez, El Museo Nacional de Bellas Artes, Buenos Aires, 2000.

Essay, Catherine Lee, Galerie Academia, Salzburg, 2000.

"René Pierre Allain: Formalism After Postmodernism," René Pierre Allain: Disjunctures, Galerie De Bellefeuille, Montreal, 2000.

"The Reversal of Form as Pure Space," Tadaaki Kuwayama, Uniplan International, Kerpen/Cologne, 2000.

"Composing Abstract Form," Mariano Moroni: La Composizion della Forma Astratta, San Benedetto del Tronto, Palazzina Azzurra, Milan, 2000.

"The World Mandala, Neil Tetkowski's Common Ground World Project," Common Ground World Project, United Nations Headquarters, New York, 2001.

"What Is an Image?," Günter Selichar: Screens, Cold. Espai Lucas, Valencia and Project Space Kunsthalle Wien, 2001.

"Painted in New York City: The Presence of the Past," Viewpoints of Recent Developments in Abstract Painting,' Hofstra University, Hempstead, New York, 2001.

"David Remfry: Lunar Creatures," Heidi Neuhoff Gallery, NYC, 2001

"Joan Thorne: Mythical Journeys, Power and Flight," Joan Thorne, Andre Zarre Gallery, NYC, 2001

"The Phantasmagoria of Omer Uluc," Omer Uluc, Trans Hudson Gallery, NYC, 2001

“Sook Jin Jo: Wood Metal, Glass, Paper”, Ok Harris Gallery, NYC, 2001

“A Voyage Through the Eyes of the Figure: The Paintings of Lita Cabellut,” Lita Cabellut: The Forms of the Spirit, Ollero y Ramos, Madrid, 2002 (bilingual)

“The Cosmic Energies of Aviva Baal-Teshuva,” Aviva Baal-Teshuva: Paintings, Gouaches, Collages, State Russian Museum, Ludwig Museum in the Russian Museum, St. Petersburg, Palace Editions, 2002 (bilingual edition in Russian and English)

“Marcia Marx: Allegories of the Figure,” The Mexican Cultural Institute, New York (2002) bilingual edition

“Marta Chilindron: Common Mysteries,” Marta Chilindron: Sculptures, Dot Editions, Geneva, Switzerland, 2002

“Eric Finzi: Tales of Oswego, “Walter Wickiser Gallery, NYC, 2003

Bill Beckley: Deirdre’s Lip, Catalogue, Bill Beckley Galerie Hans Mayer, Dusseldorf, Germany and Galerie Park Ryu Sook, Seoul (Korea), 2003

“L’evacuation de Rabascall”, Rabascall: One Retrospective 1967-2000, Villa Tamaris centre de Art (La seyr-sur Mer), 2003

“Expressive Carvings from Shondong Province” from True Words, Wood Sculpture relief by a group of Artists from Shandong China, 2003 (bilingual)

“Robert Barry: Language and Silence,” Some Places which we can come: Robert Barry, works 1963 to 1975, Kunsthall Nurnberg (18 September – 16 November 2003) and Aargauer Kunsthaus Aarau (15 May – 15 August 2004, Kerber Verlag, 2003 (bilingual)

“Youngnam Cho”, Gallery Korea, NYC, 2004

“Sylvia Wald: Living Art” Tenri Cultural Institute, NYC, 2004

“Thomas Lanigan-Schmidt: Stapled to the Soul”, Pavel Zoubok Gallery, NYC, 2004

“Willy Ramos: Secrets de la Delia”, Willy Ramos: Nabusimake, Meseo de la Ciudad de Valencia, Spain, 2004

“Fred Eversley’s Eternal Delight,” Fred Eversley: New Work, Osuna Art, MD, 2004

“What is the Use of Art?”, Art Inquiry (Lodz, Poland) Vol. VI (XV), 2004

“Soon Jon Jo: The Art of Wishing”, from Sook Jin Jo: Collaborative Public Art, Sculpture and Drawings 1994-2004

“Angiola Churchill: Falling Water”, Angiola Churchill: Paradise Revisited, Tenri Cultural Institute of New York, 2004.

“Hanneke Beaumont: The Urgent Moment,” Hanneke Beaumont, Heidi Neuhaus Gallery, New York, 2004

“The Phenomenology of Robert Yasuda,” Robert Yasuda. Elizabeth Harris Gallery, NYC, 2004

“The Right Harmonic: The Paintings of Edwin Ruda,” Edwin Ruda, (privately printed) New York City, 2004

“Masaaki Noda: “Circumventing Apollo’s Mirror’” Astrolavos Art Gallery, Athens Greece 2005

“Robert Delford Brown’s Action Gluings”, Collaborative Action Gluings, Editions and Archive Francesco Conz, Verona, Italy (2005)

“Rifka Milder’s Sanctuaries of Color.” Rifka Milder: Reflections, Galeria Isabel Ignacio, Seville, 2005 (bilingual)

“Donald Groscost: Towards a Perception of the Real,” Donald Groscost: Works: 1999 – 2004, Gothaer, Cologne, Germany, 2005 (bilingual)

“Denis Farrell: The Intimate Palimpsest,” Denis Farrell: New Paintings 2005, Irish Arts Center, New York, 2005

“Angel Orensanz’s Material Metaphor: The Birth-Death Syndrome and the Reappearance of Non-Being,” Angel Orensanz: Earth: Death – Birth, Alexander Pushkin Museum, Moscow and State Russian Museum at Rumyantzev Palace, St. Petersburg, 2005

“Merrill Wagner: Further Affinities,” Sundaram Tagore Gallery, NYC, 2005

“John Mullen: Incursions, Paintings 2005,” Howard Scott Gallery, NYC, 2005

“The Organic Past: New York Artists in the Forties,” Organic New York, 1941 – 1949, Michael Rosenfeld Gallery, NYC, 2005

“R. Kostelanetz: Scribe from the Outside,” Big Birthday Book: A Festschrift for Richard Kostelanetz’s 60th (or 65th) Year, Libros de Barba, NYC, 2005

“Lena Liv: In Praise of Shadows,” Lena Liv, Andrea Meislin Gallery, NYC and Edizioni Centro Sperimentale di Arte Contemporanea, Firenze, 2005

“The Contemporary Icons of Nikos Kypraios,” Nikos Kypraios: Icons (November 13, 2005 – January 8, 2006), Leepa-Rattner Museum, St. Petersburg College, Tarpon Springs, Florida (brochure)

“Keiko Hara’s Springtime, Shreds of Language,” Keiko Hara: Imbuing in Monet, Perimeter Gallery, Chicago, 2006

“Ecstasy and Expression: Ludvic’s Poems and Folksongs,” Ludvic: Poems and Folksongs, Artspace (Robert Roman Gallery), Scottsdale, Arizona, 2006

“Peter Zvi Malkin: Paintings of Feeling and Intuition,” Peter Z. Malkin, Painting 1961 – 2004, Perry Fine Art, NYC, 2006.